Doll figure is made of a cotton under- form, covered at bottom by a red and blue skirt with encircling rows of white beads. Torso and neck are wrapped with a twisted cord of undyed plant fibre, and its head of brown cotton perched at top. Hair made of twisted fibre hangs to below chin, eyes are made of white and orange beads; a line of white beads runs from forehead to chin. A vest of animal hair wraps around the doll’s shoulders and chest, and canvas arms emerge from sides. Bracelets of multi-coloured beads hang from elbows and wrists, and fingers are made of the same. Doll holds a hair whisk in one hand.

Fabric doll. Doll is made of brown polyester, dressed in a suit of dark green cotton with a red belt. Large pockets decorate the front, and a matching green bag is slung over the right shoulder. A silver chain drapes from right shoulder to left hip. Facial features are stitched thread, with a red mouth and white and black eyes. Over the black hair is a Basotho style hat, made of thick woven plant fibre. The hat comes to a point at top, where there is a loop.

Woven bilum type bag. Plant fibres are rolled to create long strands that are woven in a loose vertical weave, held together by sections of twisting that run horizontally. The small bag is wide at the bottom, narrower at the mouth, with a short handle connected at both outer corners. Handle construction is similar to that of the bag. Base colour is a light brown, with areas of dark brown and dark purple to blue-purple.

Mai mask. Mask is long and narrow. The forehead rises at centre, meeting the long, sharp bridge of the nose. Eyes are made of inset cowrie shells, emphasized with black paint. On a light tan background, red-brown linear designs swirl around the eyes and cheeks and along the nose. The mouth of the mask is tubular in shape, protruding above the chin and holding a short snake with a squared head. The lower portion of the mask, as well as its outside edges and forehead, are covered in tiny white-grey shells inset in a light brown mud. Larger concave shells sit at regular intervals, and white cowrie shells line the bottom edge. Long, sparse feathers protrude from both the chin and top of head. A leather cord emerges from the top. Mask is concave on back.

Carved hook. Large round face, flat in profile, sits on top of object, with protruding eyes made of seeds below a pointed brow, with scale-like carvings on forehead and cheeks. Nostrils are wide, mouth is small. Long strands of twisted plant fibre are tied through the narrow ears. The long neck is carved with circular and scale-like motifs, and connects with a large triangle below, its upper corners sharply carved into rounded spikes. A face with inset shell eyes and a smiling mouth with prominent teeth is carved into the wood. A tie of plant fibre is set through the nose. At bottom is a hook in a half circle shape, top corners elongated and curved into spikes mimicking the triangle above. It too has a carved face, with nut eyes, brow and cheeks carved with scale-like half circles, and a plant fibre tie through the nose. Mouth at bottom is wide, smiling, showing many prominent teeth. The back of the object is similar to the front.

Contemporary retablo with ceramic figures, miniature retablos and paper books. The wooden box itself (part a) has a structured hole at centre front, taking the form of a stage. The wood is painted black and several images are adhered to it, such as a typewriter, human and animal figures, flowers, and Albert Einstein surrounded by pigeons. Ceramic figures of the donor and her husband (parts b and c), their dog (part d), and a small stool (part e) are placed in the retablo, as well as a small woven basket (part f) containing a crumpled sheet of paper (part y). There are three miniature retablos (parts g-i) of glass and wood, one of which is held by the woman, and many miniature books (parts j-x). Six of the books are filled with blank paper, while the other nine have titles and writing inside.

Comb made of flexible wood which is split vertically near the end to form ten prongs which are held apart by string binding. The handle is rectangular in shape, flaring out into the prongs of the comb. Where the handle and prongs meet there is a band of braided string wrapped around the handle.

Comb made of flexible wood which is split vertically near the end to form the prongs which are held apart by string binding. The top of the handle is carved in a decorative pattern, and then extends outwards in a triangular shape. The rest of the handle is bound in dark string which is woven between the prongs, covering a portion of every other one in a pattern.

Comb made of flexible wood which is split vertically near the end to form nine prongs which are held apart by its binding. The handle is rectangular in shape, flaring out into the prongs of the comb. Where the handle and prongs meet there is a band of braided string wrapped around the handle. There is also one strand of plant fibre wrapped around the handle between the wood and the prongs. The end of the handle is rounded.

Comb made of flexible wood which is split vertically near the end to form the eleven prongs which are held apart by the binding. The handle is rectangular in shape which tapers into a thin strip of wood, curves upwards to end in a point. The other end of the rectangle flares out into the prongs of the comb. Where the handle and prongs meet is a band of braided string wrapped around the handle.