Bamboo breast plate. Long row of 27 bamboo rods placed parallel to each other, attached together by plant fibre twine that is knotted at one end.

Agouti tooth chisels. Cane wood makes up the shaft of the chisels, with wrapped vine thread and tree resin used to secure the teeth. The agouti rodent teeth are very sharp, strong, thin and slightly curved, coloured a light orange.The two chisels are attached by cord tied around and indentation at the ends.

Cylindrical wooden dart (part a) with wood fragment (part b). The wooden dart (part a) tapers slightly along the shaft. There is a small, thinner section of wood extending from the wider end. There is a hole through the centre of the wood down the shaft. Plant fibre has been wrapped around the shaft near the tapered end. There are marks indicating that there was another section of plant fibre wrapped near the opposite end, which is no longer part of the object.

Headband of plaited plant fibre. Diagonal interlaced basketry technique. Slightly worn; complete.

Tuft of loose cords made of plant fibre and bindings of camelid wool threads. At one end protrudes a cord which would have been used to hang the tassel on a border garment. Red-brown, yellow, brown, green and light blue dyed wool.

Panpipes or pan flute. Seven pipes of gradually increasing length and girth bound with strips of reed and string.

Panpipes or pan flute. Seven pipes of gradually increasing length and girth bound with strips of reed and string.

Panpipes or pan flute. Seven pipes of gradually increasing length and girth bound with strips of reed and string.

Panpipes or pan flute. Seven pipes of gradually increasing length and girth bound with strips of reed and string.

Priest figure (part a) seated in a wooden chair (part b), carried on the back of a male figure (part c). The priest wears long brown robes, tied at the waist with a braided string. In his left hand he holds an open book, and in his right he holds a red wooden cross (part d). The priest has a long dark beard. The male figure has a long black robe and a white tie at the waist. In his left hand he holds a knife (part e) and in his right hand he holds a long staff (part f). The figure stands on a rectangular wooden base with leather loops (part g).