Black rectangular slab of ink with prunus blossoms in relief in gold and brown on one face. The reverse has characters in relief, and both faces have a raised edge.

Ink holder (a) carved from ivory with an elongated, slightly curved handle, a bowl with a metal dish insert (b), and a lid that covers the bowl. A dragon and cloud pattern motif is incised into the handle on both sides, and four Chinese characters are incised into the top of the lid with a leaf border around the bowl. the designs are emphasized with black pigment (?).

Jar made of porcelain with a light grey glaze with crackle emphasized by black and brown pigment. There is a slight lip at the mouth and the sides have five lobes.

Rectangular block of ink with two indented brown Chinese characters above a slightly raised image of a building with a tiered roof on one face and a series of Chinese characters on the reverse.

Triangular in shape, grey clay sherd with a rounded rim and a slightly concaved body. The sherd has a green slip and is painted black with thick lines. Fragment of a larger object.

Dark brown mask with a large, stylized antelope head rising from the top; mask completely shields the face, with only two small eye holes. Covered with geometric painted designs in red and white.

Standing wood figure (ibeji). Head is capped with a bright blue pigment on the conical headdress. Cap is decorated with diagonal ridges. Seven tribal scarification marks on the cheeks, four of which are horizontal while the other three are vertically above the horizontal. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are large. Stands on circular pedestal. Beads around neck and hips. Covered with red camwood paste.

Standing wood female figure (ibeji). Head is capped with a conical four-sided rounded headdress. Three scarification marks are horizontally incised along the cheeks. Extended arms have hands touching thighs.Has breasts. Has short legs in relation to body and the feet are very large. Stands on circular pedestal. Beads around neck and hips. Covered with camwood paste.

Women's head, with typical woman's coiffure, on circular base. The eyes are slitted horizontally with slightly rounded eyelids. The eyebrows are curved and slightly upraised. There is a nose, a prim mouth, chin and pinched ears. The hair consists of conical-like protrusions extending outward from the head. The neck has three protruding bulges. The base is two-stepped.

Yam mask made of tightly woven plant fibre around a stick frame with a large crest edged with feathers, a long, narrow, circular ridge as a nose, large bulbous eyes, and a small protruding oval mouth and tongue. The face of the mask is mostly an ochre red, while the lower portion around the mouth is black at the bottom with tan areas from the lower outside edge to the black. The nose is a tall ridge along the entire face down to the mouth, mostly red but with white along the edge and black in line with the face. The eyes are large white woven balls which protrude from either side of the nose ridge, with tan irises and small holes in the centre. The crest is roughly triangular with rounded edges rising to a point above the face, edged with soft white feathers with brown tips. The crest begins at the top of the face with a black triangle, outlined by widening stripes to create the shape of the crest. These stripes are: tan, then a red stripe made up of loops of basketry to create a fence-like appearance, then a white stripe, then a black stripe made of loops of basketry, and then a final tan stripe along the edge. The edge of the woven crest is tied with string to a stick that goes around the edge, the feathers are attached to the stick. The back and inside of the mask are unpainted plant fibre.