Wide sword-shaped brown-black wood club. 'Blade' has geometric designs of vertical zig zag lines bordered by concentric semi-oval lines at either side emphasized with white pigment. 'Blade' flares outward to a flat blunt end that has holes with knotted string. The 'grip' flares outward to a sideways sigma design. 'Pommel' and end knob 'button' both have a horizontal zig zag line band around their base.

Axe with handle made of one piece of wood that has been hafted in a bent splint, reinforced with resin and bound with plant fibre string. Handle tapers toward end; stone axe blade affixed between wood by resin.

The wooden shaft is peeled of all bark and one end appears to have been cut off. The other end has a piece of white stone attached to the shaft with resin. The shaft and resin are coated with a brownish-red pigment.

The shaft is peeled of all bark and one end appears to have been cut off. The other end has a rose coloured stone point with serrated edges, attached to the shaft with resin. The shaft and resin are coated with a brown pigment(?).

Large bark cloth mask with a circular face, two protruding flat horns, a large protruding mouth and a cylindrical shaped neck. The forehead has a stylized painted design in brown and red on a natural ground. The eyes are large, detailed with brown and red circles while the nose and neck are decorated with red and black triangles. The back of the head detailed with black and red concentric circles. The mask is made in the form of a crocodile. The frame made of bent and tied wood. The side has I, RD; K-PUX written in black.

The tip is coiled with red plant fibre, below which, there are the following: five sets of four small barbs; two sets of four increasingly longer barbs; and seven sets of four small barbs. The point is decorated with a red and yellow grass sleeve with a horizontal zig zag pattern, a carved band that is emphasized with white and that consists of two figures (each of which has circular eyes in a double diamond shape outline and a double upward pointed nose), and a fibre tuft bordered by string at either end. Bright red and yellow plant fibre coiling are at either ends of the grass sleeve. The red-brown wood shaft is plain and tapers at the end.

Full length clay figure with crooked neck, standing feet together, arms by his side wearing a loincloth, necklace and earrings; traces of red and black pigment. The head has a hole running from the top to the back.

Carved wood drum with an hourglass-like shape with a rounded handle on one side. The ends of the handles go into the mouths of two incised figures; one has a cowrie shell inlaid eye. The opposite side has two identical figures. The centre of the drum has a band of geometric pattern carved in relief. A piece of skin is attached to the top with cotton and fibre twine. There are remnants of red pigment.

Three prongs joined to a shaft with fibre wrapping barbs. The prongs are affixed to the shaft with wraps and pitch. The shaft is broken off. Traces of red and white pigment.

Carved wooden ancestral board in an oval shape with triangular points at the top and bottom. The surface has a human figure carved in relief with a circular white head, a black forehead and eyes along with red mouth and outline around the eyes. The body is stylized with lines and x-shapes in white. The ends and the outer edge are black detailed with a repeating triangular-like white pattern. The back has ‘Amai Papua’ written in black felt.