Standing wood male figure (ibeji) on round base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, nipples, buttocks, and genitalia. Large head with facial features in relief of large protruding eyes having incised eyelids. Arranged on each cheek, there are seven incised notches with three at the forehead. Large pierced ears placed far back on head. Earring of strung white shell(?) beads and one jasper disc. Tall pointed four-sided headdress with knob at top is patterned with incised lines, of which the recesses are filled with indigo. Arm on the right has plain silver bracelet. Two strings of dark horn beads at waist. Necklace of blue glass(?). Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood paste in areas.

Reversible cylindrical pot stand; red/brown waffle pattern with six dark brown, almond-shaped, incised designs; middle of each has a waffle pattern with white pigment.

Tapa cloth with panels divided by dark brown lines. The rectangles are decorated with geometric designs, banner-like designs, and inscriptions in brown. The three smaller rectangles at one end have segments of the same designs.

Pot (part b) with carved dark brown wood figure (part a) on top. Figure (part a) is sitting with his hands on his knees and with a dried and cracked encrustation over the upward pointing, dark brown hair on the head. Hair is bound with string to form a tuff on top of the head. Base of the figure fits into the pot. Clay ginger pot (part b) of Chinese origin with a six-sided base, and a circular top covered on the outside with a string in woven pattern. There is an encrustment over the string. String handle on pot which looks fragile but is in good condition.

Oval, trough-like container; open at both ends, long sides turned up; wood stained with ochre; inner surface adze marked, smoothed with use. Open ends are stained and worn from use. Outer surface has adze marks all over. Seven digit number scratched on base.

Gold foil headdress in two pieces; both curve to form an entire circle when placed together. Row of repousse dots along top and bottom. Punched holes in pairs and singles at edges.

Altar or shrine composed of three square slabs of slate laced together with string threaded through holes on sides to form a triptych. The central slab is surmounted by a crown shape; indented squares on front; two matching geometric incised designs on outer surface of squares, when closed. The inner surface has Christian images, representing angels, Mary and her child.

Wood figure representing a young man. Elongated slender figure carved in wood and blackened. Straight crude limbs and small delicately carved features. Rough black wool yarn has been glued on for hair and small white beads glued at eyes. Dressed in an outer apron. Inner apron and dress-like front apron in leather with large rich coloured beads in green, red, blue, and white.

Container of walrus tusk with four encircling lines of black material embedded on the outside. Walls are of uneven thickness. Rounded base is detachable, joined with three pegs. The shape is that of a traditional carrying bag.

Large, humanoid headdress; almond shaped eyes and protruding oval mouth with ten white teeth, both covered with traces of white pigment. Small chin, realistic nose and full cheeks. Three rows of incising below eyes and on forehead. Ears flat to head. Rectangular opening in top of headdress surrounded by raised carved ridges with traces of white pigment. Small square opening at the back.