Round, polycrome bowl which constricts to rounded, 8-12 cm. Unpainted, light brown/yellow base, inside no slip, rubbed and decorated with white/yellow lines which run straight and then zigzag for a short distance and run straight at 90 degrees or at other angles. Central zigzag is surrounded by a rectangle with 4 rectangular appendages. Other lines to edges and divide other space. 2 diamond shapes opposite with zigzag or twisted strand like line to edge. Outer orange, rubbed surface has 2 thick white/yellow v-shaped lines near base which are surrounded by thick lines which zigzag. Between these are v-shapes from rim with thick lines running parallel with triangles, jogs and 'twisted' zigzag areas. Thin lines run parallel and across in spaces between all. Smudged slip/paint on base, 5cm. crack at centre bottom, inside. Few pits inside and chipped along rim. Major scrape on outside 1x 3 cm.

Heavy container (part a) of orange-yellow wood carved in slender rounded, bulbous shape with two small protruding handles to which braided leather handle straps are tied. Lid (part b) is made of cowhide moulded to the shape of the container and tight fitting.

Polychrome effigy jar with flared lip, bulbous at top of neck, the rest of the neck slopes slightly, then sharply flares to shoulder and constricts sharply to flat 18 cm. base. Modelled face on neck with protruding ears, nose and chin. Slits at eyes and mouth. Rectilinear dark brown and orange on light yellow/brown design from neck to shoulder. Thick dark brown lines mark off areas in straight and stepped lines and zigzag connections. Some orange lines and fine dark brown lines infill spaces. Occasional x's on these lines. Orange diamond below face, brown zigzag at forehead. Orange for bottom half and at inside rim. Black and light brown patches around bottom. Plain inside. Resin coated inside and out. Scrapes and chips at shoulder. Dirt accretions and checked patches. Paint chipped on face.

Polychrome effigy jar with flared lip, slightly sloping neck, then sharp slope to shoulder, constricting sharply from shoulder to 18 cm. flat base. Two modelled faces oppose on neck, ears, nose and chin which jut out. Slit for eyes and mouth. Dark brown and orange/brown rectilinear motif on light yellow/brown, on faces and to shoulder between. Main design feature is thick outlined (dark brown) cross shaped boxes with crosses and other lines inside and out. Below faces are light yellow/brown painted torsos with 4 fingered hands, outlined in dark brown on dark orange ground. Zig-zag edge between arms and torso with triangles on line outside arms. Below shoulders is solid rubbed dark orange with black, carbonized areas. Outside rim is dark brown, inside jar is dark orange for half neck, unpainted for remainder. Resin coating outside and partially inside. Scrape across one hand. Some chips at rim, checking at shoulder.

Large carved, dark brown head with pronounced features like hollow cheeks and eyes, pursed lips, elongated slightly hooked nose and one thick double-arched eyebrow over both eyes. Back hollowed out: two joined pieces form oval tapering to base that has neck-like projection hollowed out in front. Forehead's centre has borehole; nails hammered into head's top; some red pigment on nose and temples; forehead, eyebrow, and nose are textured by small diagonal cuts in surface.

Wooden wolf headdress, or mask, in two cedar pieces joined lengthwise by nails. Hollowed out. Skull area slopes slightly to form muzzle, ending in red nose with hollowed out nostrils angled slightly upward and outward. In relief, long, straight, thick, black brows over recessed green ovoids surrounding white and black eyes. Mouth, length of muzzle to directly under eye socket, is all teeth, marked off by red grooves and red lips. Rest of mask in black and some red. Cloth bits attached to nail heads circling skull. Top of head left with roughened holes where ears once were. Whitened marks cover paint which is faded in some areas. Short length of cord is knotted on interior through two pierced holes.

Wooden wolf headdress, or mask, consisting of one cedar piece hollowed out; skull area is concave hollow. Large brow area tapers into elongated muzzle, nose angled upward and outward. The mouth has its all teeth, marked off by orange grooves and light green lips. Large dark green ovoids around eyes. Orange nose bordered by green, incised grooves separate fields. Rest of mask in black form line. Cloth bits and fibre near nail heads, most on top of head. The mask is painted black, green, red and blue with Northwest Coast stylized designs.

Near spherical pot with flat base, flattened top, and a raised central ridge around the circumference. Opening with lip extends from ridge at one side; a very worn shoelace is tied through a small hole in the lip. The lower half of the pot is red, the ridge is brown, and the upper half is tan with black and brown rectilinear design; designs are in mirror image, projected around the central band, running parallel to and extending from the lip.

Three dimensional helmet mask with black simulated hair at crown, and a bright yellow painted face in low relief with extensive black painted linear designs that are roughly symmetrical. The eyes and eyebrows are emphasized with black paint, and the mouth is painted red with several thin teeth and a central thicker piece of wood and metal representing the front teeth. There is a blue stone in a metal setting attached to each earlobe.

Dark brown wooden headdress carved in the shape of a bird. Furled, striated wings and triangular tail with grooves. Knob-like eyes. Carved beneath to accept head.