Carved wood mask consisting of an oval shaped head with long thin strands of sennit ? fibre hanging down the sides and back. The face has a large, protruding forehead with a small crocodile carved in relief. The brow is triangular and hangs over the large round, shell inlaid eyes. The nose is raised, long and narrow with large holes through the septum which hold two pieces of fibre twine. The mouth is small and cut deep. Tattoo-like lines of incised dots run over cheeks. Attached to the sides of the head are small sections of fibre rope with fibre loops. The underside is hollow. There is a fibre tie at the top of the mask. The wood is stained black with a brown pigment over top.

Tall conical shape, hallow wooden flute. The body tapers at the top where a head is carved in relief. The head has a slightly pointed top, inlaid cowrie shell eyes, long protruding nose with open nostrils, a wide open mouth and large ears. The face is painted brown with white decorative outlines. The body or flute is incised with repeating bands of curvilinear design. It has a large hole in the centre front with a jagged ridge extending from the hole down to the base. Along the ridges are several brown sennit fibre tufts.

Carved wooden spirit mask in an elongated oval shape. In lower centre is a human face with protruding round eyes, flared nostrils, open mouth with carved teeth and small ears. Covering over the inset face are concentric points meeting vertically from oval background, each one overlapping above and below the face. Four below and six above. Small knobs at both ends; top has a small woven fibre tie.

Wooden canoe prow shield in a ‘W’ shape with the outer edges lined with cassowary feathers. The shield consists of flat wood pieces mounted onto a bamboo frame. The surface is painted with yellow, orange and brown stylized geometric shapes on a white ground. In the middle is a protruding, elongated shape face with round shell inlaid projecting eyes and a long ridged nose with flaring nostrils. The mouth is open with a slightly protruding tongue. The face is painted in a similar fashion to the rest of the shield. Two bamboo sticks protrude from bottom for support.

Carved male figure hook, with a crocodile projecting from neck area and pointing downwards with its mouth open. Exposed genital areas and torso with his ribs carved in relief. On the reverse, the figures spine is protruding. The head is crowned or framed by flat m shape headdress decorated with rows cowrie shells and small, dense bundles of sinnet fibres along edges. The face has protruding eyes inlaid with shell and extended nose which reaches into chin. Arms are extended straight along body with open palms that face thighs. Feet attached to carved hook. Hook has a circular carved face protruding out of lower end. The figure is painted with a black pigment then covered in orange clay dust.

Carved, wood stool consisting of a standing figure on a base with bent knees and arms extending parallel to body. Palms facing inside body. The large, oval shaped face is fringed with cassowary feathers and elaborately painted brown, black and white. Framing the face is inlaid with small cowrie shells. The face has circular-like shapes encompassing the large protruding eyes inlaid with shells. The nose is long, narrow and slightly projects at the tip. On the cheeks are triangular tattoo-like incisions. The mouth is open with the tongue protruding out. The chest is incised with geometric designs and a large rectangular carved pendant in the middle. Around the waist is a woven cord loincloth covering the prominent genital area. Attached to the lower back of the figure is semi-circular stool with a small mask on lower part of leg. The face is incised with lines and has protruding eyes, nose and tongue. The body of the figure is covered in black, charcoal ? pigment.

Carved wooden standing figure with his arms hanging down to his bent knees. The face is large and circular with exaggerated protruding eyes inlaid with shell; a long nose bridge and a hollow septum that holds a bundle of fibre. The mouth is slightly triangular in shape with its teeth bared. The head and chest have a repeating triangular geometric pattern carved in relief and painted with orange and white pigment; the stomach has a stylized design around the bellybutton. Bundles of fibres are attached to the ears; fibre cords with fibre bundles are tied around the stomach covering the groan, wrist and ankles. The figure stands on a circular base.

Long, carved wooden gong, cylindrical in shape with two protruding handles at both ends. The sides are carved in relief with a stylized geometric design that has triangular detailing. The handles have a bird-like figure with a long beak and forehead; two cylindrical shaped arm-like structures run along its side. Underneath is a semi-circular piece of wood detailed with a geometric design the runs from the top of the figures head to the side of the drum. Drum is slit at top from one end to the other; covered with a thin layer of red ochre.

Carved wooden, oval shaped mask representing a face. The top of the head is inlaid with two different types of shells. The forehead is elongated with a ridge down the middle and recessed eyes inlaid with cowrie shells. The nose is protruding and has a section of a boar tusk in each nostril. The mouth is partly open exposing carved teeth. Bundles of sennit fibre line the bottom edge. The mask is painted with orange, black and white pigment. The back is undecorated.

Necklace made from a single large, crescent shaped piece of shell painted red, with a thick, woven, red coloured neck strap. A round piece of dyed red skin with fur is attached by a short string to the centre of the neck strap.