Wooden dish carved in the form of a frog. The frog's facial features are carved, and the nostrils have inlaid white glass beads; eyes are made of inlaid abalone pieces; the rim has inlaid glass beads and oval operculum shells. The four carved legs serve as the feet.

Paddle carved from a single piece of wood. On one side, the blade and shaft have carved and painted designs with inlaid abalone and operculum shells. The shaft has a large red whale(?) with a row of operculum teeth facing the grip, and below the cedar wrap, a raven(?) profile. The blade has a black wolf-killerwhale(?) and a small red salmon(?). The grip is natural, with either side painted black and inlaid with abalone shell. The blade, throat and mid-shaft are wrapped with cedar root. A thin black leather strap is tied below the grip.

Bentwood grease bowl, with curved sides and carved ends. On the front of the bowl a human figure appears from behind a bear’s head: head and arms above the bear’s eyebrows, feet emerging from under the bear’s mouth. The claws are represented on the opposite end of the bowl alongside another human figure with its face turned upward. Operculum shells are inlaid in the bear’s mouth as teeth. The surface has been coated in grease.

Yellow cedar sculpture depicting a female with two cubs on top and a bear at the bottom. There are fourteen operculum shell teeth set into the bear. There is a face carved on the underside of the sculpture. The back is hollow. Inscription on back, artist name, date, title.

Large oval argillite platter with shell inlay around the top of the outer edge. The centre of the platter is concave and completely covered with a design of a large, central, sculpin face, with a human on each side of it in profile, facing inward. The rim had sixteen evenly spaced oval shell inlays, but seven shells holes are empty.

Square, kerfed, steamed bentwood bowl: hardwood sides, red-cedar base, sinew stitching. Rim inset with operculum shells, originally four to each side (one missing). Outer surface carved with animal imagery.

The paint is red.

Museum Purchase: Funds provided by Arlene Schnitzer, Beverly Terry, Quintana Galleries, and by bequest of Elizabeth Cole Butler by exchange, for the 2014 New for the Wall.