TANGIBLE VISIONS. WARDWELL, ALLEN, 1996 OBJECTS OF BRIGHT PRIDE: NORTHWEST COAST INDIAN ART FROM THE AMERICAN MUSEUM OF NATURAL HISTORY.FIRST EDITION. WARDWELL, ALLEN EXHIBITION CATALOG, 1978, Publisher: THE CENTER FOR INTER-AMERICAN RELATIONS AND THE AMERICAN FEDERATION OF THE ARTS OBJECTS OF BRIGHT PRIDE: SECOND EDITION. WARDWELL, ALLEN EXHIBITION CATALOG, 1978

TANGIBLE VISIONS. WARDWELL, ALLEN, 1996 SPIRITS LIKE THE SOUND OF THE RATTLE AND DRUM: GEORGE THORNTON EMMONS' COLLECTION OF TLINGIT SHAMANS' KITS. ILIFF, BARBARA ELIZABETH DISSERTATION, 1994 OBJECTS OF BRIGHT PRIDE: SECOND EDITION. WARDWELL, ALLEN EXHIBITION CATALOG, 1978 OBJECTS OF BRIGHT PRIDE: NORTHWEST COAST INDIAN ART FROM THE AMERICAN MUSEUM OF NATURAL HISTORY.FIRST EDITION. WARDWELL, ALLEN EXHIBITION CATALOG, 1978, Publisher: THE CENTER FOR INTER-AMERICAN RELATIONS AND THE AMERICAN FEDERATION OF THE ARTS UNDER MOUNT ST. ELIAS: THE HISTORY AND CULTURE OF THE YAKUTAT TLINGIT. DE LAGUNA, FREDERICA, 7, 1972 ART OF THE NORTHWEST COAST. HARNER, M.J. AND A.B. ELSASSER EXHIBITION CATALOG, 1965

The acrylic paint is red, gray, and white.

Kwakwaka'wakw box lids characteristically have a high, raised edge along one side and it is this flange, painted with a stylized face and inlaid with sea otter teeth, which remains from the ancient lids and which had a prominent part in the ceremonial repayment of the marriage price. The goods to be transferred, among them a box containing ritual material symbolizing the dances, were gathered on the ground within a square bounded by a line of the archaic lids. (Holm, Spirit and Ancestor, 1987)