"Four Circles" silkscreen print, in black and red. Circular black killer whale design, with details in red. Pencil inscription underneath image; 21/140. The print is on square beige paper.

"Four Circles" silkscreen print in red and black. Circular frog design in red, with eyes and details in black. Pencil inscription underneath image, including the title in Haida; 21/172. The print is on square beige paper.

"Four Circles: Raven with Broken Beak" print, in red and black. Red circle contains frontal red raven with broken beak; at top u form with partial profile face attaches to top of eye ovoids while oblong form attaches to the bottom above a long tapering extension; wings on either side of extension have an ovoid at the top with interior ovoid and u forms. Pencil inscription below image with artist, title and date; edition 21/182. The print is on square beige paper.

Pencil drawing on paper. Two views of a totem pole; the left view is in profile; the right is a front view. Artist's inscription lower right.

Pencil drawing of a totem pole. Artist inscription lower right.

Black and light blue version of print, on yellow-beige paper. Depicted are: a left-facing man at the far right of the image; a right-facing raven at the far left of the image; and a vertical central halibut with its head toward the top of the image. "An Episode in the Haida Raven Myth" and "a silver engraving by Bill Reid" are printed below the image.

Highly detailed drawing in black ink, on natural amate paper. Horizontal orientation on rectangular paper. The imagery depicts the migration of workers to the USA. The image covers almost the entire paper except for the outer border. Artist inscription below at left.

Highly detailed drawing in black ink, on natural amate paper. Vertical orientation on rectangular paper. The imagery depicts maize agriculture and tortilla production. The image covers almost the entire paper except for a thin border. Artist inscription below.

Very wide brown paper protest banner; horizontal orientation. Text and illustrations are divided into fifteen panels. The first panel has the title (farthest left), then the panels alternate between text and illustration until the end. Artist names and INAH inscription at farthest right end, lower corner.

Highly detailed drawing in black ink, on natural amate paper. Vertical orientation on rectangular paper. The imagery depicts tiered agricultural scenes. The image covers almost the entire paper except for the outer border. Artist inscription below.