Large, unframed painting on a rectangular piece of handmade "washi" paper. Painting depicts a craterous landscape of oil barrels with groups of red pipelines and rivers of black snaking through. Bursts of yellow extend from some of the barrels while others have drawings of fish, humanoid faces or other creatures on the lid. The background is a solid black sky. Signed in the bottom right corner.

Sketches of bentwood bowl-shaped bracelet in pen, pencil and pencil crayon. Drawing is on sketch pad paper. Profile, overhead and bottom views of bracelet drawn in pen in the top right corner. Top left corner has a frontal 3/4 angle view of a bentwood bowl with curved sides and ends. Human face carved onto front and profile of a bird carved onto the side; coloured in bright orange and yellow, with pencil and pen. Pencil inscription below. Underneath, along the left side of the paper, there are overhead sketches of the bracelet done in pencil. In the middle of the page is a coloured, frontal 3/4 angle view of the bracelet . Bracelet has the same carved face on the front and bird profile on the side as the sketched bentwood bowl. Bracelet is coloured in bright orange and shaded with red, bright yellow, dark green and pen. Pencil marking points to the back left corner of sketched bracelet to show where the hinge would go. Along right side of page, next to the bracelet drawing, there are indecipherable numbers written in pencil. Below the numbers, in the bottom right corner, there is a rear 3/4 angle view of the bracelet done in pencil. Another pencil inscription above the rear angle of the bracelet, with indecipherable initials. Various pencil smudges and lines across the paper.

Stencil set showing stock of maize. Stencils installed as a set of nine: three rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colours - bright green, dark purple, and black.

Stencil set showing a person crouched down, wearing a protective suit with respirator, and holding a large syringe. Stencils installed as a set of six: two rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.

Stencil set showing a person wearing a protective suit, bent forward, in partial profile. Stencils installed as a set of nine: three rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.

Stencil set showing a person wearing a protective suit and respirator, slightly bent forward, with his hands/arms partially raised. Stencils installed as a set of nine: three rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe and black.

Stencil set with outlines of aerosol paint, showing a person wearing a protective suit and respirator with hands raised above head ("hands up, don't shoot" position). Stencils installed as a set of twelve: four rectangles stacked, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe and black.

Stencil set showing a woman in partial profile pointing a rifle to viewers right. The woman wears a wrap on her head, blouse, long skirt and sandals. Stencils are installed as a set of twelve: three layers deep; three rectangles high in one stack (parts a-c, e-g, i-k) with additional rectangle at the upper right (parts d, h, l), showing the end of the gun. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.

Rectangular, dark yellow burlap cloth with printed images of two crooked beak masks on one side. Image of mask closest to the top is facing right side of cloth. Outlined in black, the mask has an open mouth. Interior of mouth is black with an olive green tongue. Underside of beak is bright red. Upper beak is olive green and has long, exaggerated nostrils with two large circular openings. Shape of nostrils outlined in black. Olive green-coloured rectangular frill extends from brow of bird to end of beak, curving over nostrils. Mask has small red eye, outlined in green, towards its left side, in the centre of a mustard-yellow circle. Black strands, outlined in bright red, underneath mask. Image of mask closest to bottom of cloth is facing left. Outlined in black, mouth of mask is wide, flat and open. Edges of beak are bright red and tongue is maroon. Beak has bright red, ovoid shaped nostrils. Black frill curves upwards from brow of mask and circles downwards to the tip of the beak. Frill has an olive green design, outlined in bright red. Interior circle of frill is bright green. A second frill, red and outlined in black, curves downwards from bottom of beak, from the tip to the base. Frill has a green ovoid design on it. Mask has wide black eyes outlined in bright red. Brow is black. Four square ridges overtop of brow, outlined in black. Interior of each ridge is bright red. Black strands, outlined in bright red, underneath mask. Cloth edges are unhemmed.

Silkscreen print of Union Jack flag with formline designs and text inside of it. Print is done in dark blue, red and grey ink, in landscape orientation, on off-white paper. All text and formline designs are done in grey ink. Multiple formline designs in dark blue portions of flag. Bird designs in red X section. Moon(?) and fin(?) designs inside red cross, along with text. In the left arm “Responsibility – For” is printed and “What – Happened” is printed in the right arm. In the white outlines of the cross and X words are printed. “Take” is written on top of the left arm and “Colonization” is printed along the bottom. “Acknowledge” is written on top of the right arm and “Thief” is printed along the bottom. “Genocide” is printed on the left side of the top arm and “Rape” is printed on the right side. “Greed” is printed on the left side of the bottom arm and “Murder” is printed on the right side. Beneath the flag the edition, 6/10, artist name and year are handwritten in pencil.