The paint is white, red, green, and black.

The wood is red cedar.

The paint is red, green, and black.

The Elizabeth Cole Butler Collection.

By exchange

CHIEFLY FEASTS: THE ART OF THE POTLATCH. FREED, STANLEY A., 1997, Publisher: POMEGRANATE CHIEFLY FEASTS: THE ENDURING KWAKIUTL POTLACH. JONAITIS, ALDONA EXHIBITION CATALOG, 1991

Rasmussen Collection of Northwest Coast Indian Art; Gift of the Native American Art Council.

Worn during the winter ceremonial dances that accompany a potlatch feast, this mask represents the prestigious inherited privilege of a high-ranking individual. The layers of commercial paint reveal that this mask was repainted at a later date, perhaps to refurbish it when passed to a new owner, a hamat’sa society initiate dancer. Masks such as this one are still carved and worn in dances by Kwakwaka’wakw artists and inheritors of this privilege. Ironically, at the time of its creation, First Nations’ ceremonial practices, including the dancing and display of this headdress, were illegal under Canadian law. The artists working during those arduous years of forced assimilation and oppression are celebrated for carrying on traditions that continue in practice today.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.