Two mixed-media, photo-based installation panels. On panel 'a', the outer borders depict four wolves, while the inner photographic image is of the artist's aunts and uncles as children, and the larger image is of old growth forest in Kingcome Inlet. Panel 'b' depicts four ravens on the outer borders, while the inner photographic image is of the artist's mother and her youngest sister, inside the larger image of the water and islands around Gilford Island.

White hat with a black elastic ribbon attached by a metal fastener. The brim is edged with a white plastic.

Woven band with 38 rows of shells on one side, three shells in each row. On each end there are three blue, plastic beads attached. At one end, there is a metal clasp with a circle and two curved, engraved lines. At the other end, there is a circular attachment made from the root-like material.

Part (a): knife with carved wood handle tapered at both ends. Stamped letters in three rows, 'RK FROST MORA SWEDEN'. Blade inserted in oval-shaped hole at end with groove. Opposite end has metal peg. Part (b): grey manufactured plastic case with tab for attaching to a belt. Word 'Frosts' embossed on front.

Handmade knife with small double-edged curved blade in plain wooden handle. Blade set in groove and bound with dark brown duct tape.

A rectangular box on a base with angled boards at top and sides bearing Chinese gold characters. Two pink cards glued on back with black characters. Four small white plastic feet on bottom. This shrine is associated with three figures and two documents.

Two standing beige-faced figures attached to a black-painted wood base with metal nails. The female has a green top and pink gloves with a red and black wrap around her body which is lined with a silver fabric. She is wearing one blue-beaded and one gold-ribboned necklace. She is carrying a white bundle on her head. The male has a pink top, a blue scarf, a green waist band, and blue and purple pants. He is wearing a turquose turban-like headdress.

Two standing female figures attached to a black-painted wood base with metal nails. One figure has a blue face, a gold-coloured headdress, a white scarf, a light blue top with a dark blue waist belt, red pants lined with a gold-coloured fabric, and one blue-beaded and one gold-ribboned necklace. The other figure has a beige face with a red veil lined with silver-coloured fabric, a yellow top with a pink waist belt and gloves, a blue skirt lined with gold-coloured fabric, and one pink-beaded and gold-ribboned necklace.

Earrings with synthetic pearls and metal wire. Each earring has three strands and a loop clasp.

Black cotton pants with pleated waist and ankles. The pants widen at the hips then taper in at the bottom. There is a buttoned pocket at the back; metal straps on the sides; rows of white decorative buttons along the sides of the legs. On the hip is a label with orange writing that reads: Casas, Cavalho, Tradicao’.