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Basketry tray43.1.51

Gift of Mrs. Ferdinand C. Smith and Mr. L. Hawley Hoffman.

Culture
Pit River and Achumawi
Material
tule root, bulrush and maidenhair fern
Made in
California, USA
Holding Institution
Portland Art Museum
View Item Record
Basket43.1.41

Gift of Mrs. Ferdinand C. Smith and Mr. L. Hawley Hoffman.

Culture
Tlingit
Material
spruce root, split grass stem, maidenhair fern and natural dye
Made in
Northwest Coast, Canada ? or Northwest Coast, USA ?
Holding Institution
Portland Art Museum
View Item Record
Basket43.1.5

Gift of Mrs. Ferdinand C. Smith and Mr. L. Hawley Hoffman.

Culture
Hupa
Material
cedar root, beargrass and maidenhair fern
Made in
California, USA
Holding Institution
Portland Art Museum
View Item Record
Basketry Tray40.35.13

Museum Purchase: Helen Thurston Ayer Fund.

Culture
Klamath
Material
hazel wood, conifer root, woodwardia fern and maidenhair fern
Made in
Orleans, California, USA
Holding Institution
Portland Art Museum
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Woman's Hat18.3.19

Gift of Miss Henrietta E. Failing.

Culture
Karuk
Material
hazel wood, beargrass, maidenhair fern and red alder dyed woodwardia fern
Made in
California, USA
Holding Institution
Portland Art Museum
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Woman's Hat18.2.8

Gift of Miss Mary Forbush Failing.

Culture
Karuk
Material
hazel wood, beargrass, woodwardia fern and maidenhair fern
Made in
California, USA
Holding Institution
Portland Art Museum
View Item Record
Twined Basket with Geometric Design36.505

Gift of Frederic B. Pratt

Culture
Eskimo and Tlingit
Material
spruce root, grass and maidenhair fern
Holding Institution
Brooklyn Museum
View Item Record
Woman's Brush Dance Skirt06.331.7923

This skirt would be worn wrapped from back around the sides. The open front would then be covered by a fringed apron. This skirt shows signs of much wear. Most of the materials it is made from are from local sources with the exception of two copper discs, shaped and cut like the abalone. All the ornaments in addition to being aesthetically pleasing would make a sound as the woman moved in the dance. A small blue bead is fastened in the fringe.

Culture
Hupa and Yurok
Material
hide, abalone shell, clam shell, copper metal, bear grass, maidenhair fern, iris fibre and glass bead
Holding Institution
Brooklyn Museum
View Item Record
Chief's War Shirt50.67.11

This shirt is constructed with very little tailoring. It is left open at the sides and a triangular bib is sewn on at the neck. This bib is decorated with blue pony beads, patterned with rows of triangles. Strips made of porcupine quillwork and maidenhair fern stems have been placed on the arms, shoulders and as epaulets. Long buckskin fringes have been added at the sides of the shirt, the bottom, and the sleeves. The shirt is dyed a yellowish-orange color. On the proper right side, many narrow, brown, horizontal bands that are bisected at one end have been painted. These have been said to stand for horse whips. On the proper left, four hourglass shapes, almost completely filled in with black, have been painted. They have been said to stand for cloth or blankets. The triangular neck flap is beaded somewhat differently from front to back. The front shows two rows of triangles whereas the back includes a third row that contains two triangles. The blue beads visually square off the pointed end of the skin and are similar to the design on Jarvis shirt 50.67.1a.

Culture
Sioux, Yanktonai and Nakota
Material
buckskin, dye, pigment, glass bead, porcupine quill, maidenhair fern stem and sinew
Holding Institution
Brooklyn Museum
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Shirt50.67.8

This white buckskin shirt, with the faint remnants of a pinkish stain in the general shoulder area, has a squared cloth bib and cuffs made of red Stroud cloth. This bib has been attached with knotted lengths of buckskin thong. Both bib and cuffs are decorated with white seed beads and additional pony beads are sewn onto the bib. A line of chain stitch embroidery in blue decorates the bib at the front while the back of the bib is plain. A rosette on the front center of the shirt is decorated with reddish-orange and white porcupine quills and brown maidenhair fern stems that are in a configuration that probably represent a thunderbird. Bird quills in white, green, and brown are wrapped around the rawhide strips that are suspended from each shoulder. Additional fringe is inserted in each sleeve seam, which is wrapped at the base with red bird quills and white porcupine quills. Four long, pierced strips, two suspended under each sleeve, are also fringed. Horizontal reddish stripes are painted on the back of the shirt. A rectangular shaped repair, which appears to be of native origin, located on the front of the proper right shoulder, has been reattached to the long pierced tab by a knotted string of hide that matches the existing fringe. See Jarvis research file in Arts of Americas office.

Culture
Sioux and Sisseton
Material
buckskin, stroud cloth, pony bead, seed bead, yarn, porcupine quill, maidenhair fern stem, bird quill and pigment
Holding Institution
Brooklyn Museum
View Item Record