Standing female figure (ibeji) on square base. Female stands upright with arms connected to waist. Round eyes are closed with 3 pointed lines carved under each. Ears are flat against the head. Fibre loops strung with small oval shells are tied around each arm. Stylized triangles are carved into the chest and lower back. Breasts form rounded points. Headdress is short with a ridge extending around the head. Raised vertical lines connect to the middle of the ridge to form a flat triangle. Horizontal lines circle all parts of the headdress with traces of blue pigment remaining in the crevices.

Standing female figure (ibeji) on flat base. Female stands upright, arms curved to connect with thighs. Long fingers carved into hands. Thin rounded stomach under pointed breasts. Stylized face is round with wide lips, flat nose, and 3 thin lines on each cheek. Eyes are open with round pupils and dark irises. Ears stick out from head. Thin headdress carved with ripple pattern curves around back and narrows before flaring out at neck. Top band connects to vertical bands carved with same pattern. Traces of blue pigment on eyes and headdress. Feet have faint imprint of long toes.

Standing wood male figure (ibeji) on a rounded base. Face is more rounded, and triangle-shaped lower eye lashes. Conical cap with two sets of vertical ridges on each side with four ridges in the front and six in the back. Heavily encrusted with red earth.

Standing wood figure (ibeji) with black, disc-shaped, beaded waistband (discs of horn?). Head is capped with a conical headdress. Cap is decorated with two sets of vertical ridges and the back with four. Nine scarification marks radiate from and point downward from the navel. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are extremely large. Stands on circular pedestal. Body and base is heavily encrusted with red earth, and cap has traces of indigo. Has worn camwood patina.

Standing wood figure (ibeji) with large head wearing a cross hatched cap and loincloth. All facial features and breasts are enlarged. Pierced ears. Three vertical scars on the chin and three pairs of vertical scarification marks on cheeks with four horizontal ones below. Arms are extended with hands touching thighs. Black glass bead bracelet surrounds figure's right arm. Back bone is indicated by deep incised line on the back. Figure has short legs and large feet. On a base.

Standing wood female figure (ibeji). Elaborate headdress. All facial features, breasts, and ears are enlarged. Ears are pierced. Three vertical scarification marks on cheeks, and chin, and four horizontal ones on the cheeks. Arms are extended with hands touching thighs. A black glass bead bracelet hangs from the figure's left wrist. Backbone is indicated by deep incised line in centre of back. Has short legs and large feet. Stands on a plain circular pedestal. Grooves on figure are filled with red earth and in hair are traces of indigo.

Ikenga statute in three sections on an oval pedestal with four angled protuberance rising above. On these, theree rests an elongated face forming the second section. Scarification marks are incised from corners of the mouth, and the cheeks. Back of head has five lines carved from the top of the head to the base, joining at that point. Third section is an elaborate headdress with large horns that curve away from the head. Flaring outwards slightly. Outside of horns are incised with three sets of wavy lines. Three knobs face forward and backward at the base of the headdress.Traces of indigo and ochre overall. A twisted fibre cord is tied around horns, with a loop at end. Has a circular base.

Standing wood female figure (ibeji) on oval base. Figure has a long trunk and arms on short stocky legs. Arms are at the sides. Has protruding stomach, breasts, and buttocks. Large head with facial features in relief of large protruding eyes having incised eyelids and eight incised notches on each cheek with three at the forehead. Tall pointed four-sided headdress with knob at top is patterned with incised lines. Recesses filled with indigo dye. Large pierced ears placed far back on the head. Earring of strung horn beads and one jasper. Arm on the right has brass bracelet with spiral incising. Two strings of dark horn beads at waist. Necklace of elongated blue beads with one red jasper bead. Incising at back of head, spine, and stomach. Carved wood piece with dark brown patina and red camwood in areas.

Standing wood figure (ibeji) on oval base. Male figure with long neck; trunk and arms are on short, stocky legs with long feet. Arms at the sides. Has genitalia, protruding stomach, nipples, and buttocks. Blue lapis lazuli(?) beads on cotton string around neck. Carved facial features in relief of large closed ovoid eyes and eight incised notches on each cheek. Wearing pointed headdress with crest front to back and patterning of incised lines; headdress is coloured with indigo pigment. Carved wood piece with dark brown patina.

Oval-shaped wood piece with the back hollowed out. Human face. Worn white painted surface with red spots showing through. Dyed blue are the long, incised crescent lines for the eyebrows, the inside of the mouth, and one line from the nose to the mouth. Blue spots in other facial areas. Wood of cheek and eye areas has been cut away. Lozenge-shaped eyes, and mouth open to underside. Mouth at rim of cut-away area is asymmetrical to nose. Two articulated wedge-shaped wood pieces nailed, one at each temple. Drilled holes in head and forehead for feathers now missing. Holes, one on each temple has twisted synthetic cord strung between them. Knotted brown shoelace(?) piece in hole on left.