Portrait mask. Red, blue and black facial features and tattoo are painted onto the natural wood background. Abalone shell discs and a thin band are glued to the eyes and mouth and a thick coil of red bark rope is attached along the chin line. Long twists of dark hair and tied bundles of painted red bark strips with blue ends drape across the forehead and down the sides.

A shaman mask, carved by Coast Salish artist George Pennier, in alder, painted with acrylic paint and with black human hair. The mask has upward turned eyes rimmed with red, heavy black eyebrows, and an open mouth with protruding tongue. Signed on the reverse of the mask and dated 1990. The mask was carved by a Coast Salish artist, George Pennier, a resident of Chilliwack, B.C. The style of the mask is Northern rather than Coast Salish, attributed to the fact some artists carve in styles that are not necessarily their own tribal group. The upturned eyes and protruding tongue represent a shaman in a trance, part of shamanic ritual during spirit quests and curing ceremonies. Shamanism, and its representation in art forms, is udergoing a hidden revival on the Northwest Coast indigenous community. This mask was made for sale and was purchased at Hill' s Indian Arts and Crafts Shop in Vancouver. Excellent

Wooden slave killing club decorated with hair. The carved wooden head has an open mouth from which the wooden blade protrudes in the form of a tongue. Set into the head are teeth, and tufts of hair (?human) on the scalp, cheeks, below the nose and chin. Some tufts are missing.; Good.

Cape composed of various feathers of brown, white, red, and green in a checkered design on an openwork twining weave. The plant fibre twining is carried in pairs with pitch in opposite directions on a weft of dark brown human hair. The feather ends are caught under the rows of plant fibre twining with the tips protruding downward. A heavy three-strand braid of dark brown hair runs across the top. There is a plant fibre cordage tie at each top corner.