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Hair Extensions26.758

Culture
Blackfoot, Oglala, Lakota and Sioux
Material
human hair, cotton and bead
Holding Institution
Brooklyn Museum
View Item Record
Shirt for Chief's War Dress50.67.1a

Tailored as an "over-the-head" garment, the shirt is constructed from four pieces of skin (front, back and two sleeves). It is laced together from elbow to wrist on both sides, but the triangular bib is sewn on. Lazy stitch beadwork has been used on the bib and shoulders. Both the front and the back of the shirt are elaborately painted which is unusual. The upper quadrant on the proper left side of the shirt is stained a dark grayish brown, the upper right is smudged with reddish stain. The painted designs on these colored areas probably represent a tally related to war exploits. On the brownish area, sixteen linear objects, possibly stylized rifles, have been drawn in paint, one above the other. On the right, in the area partially stained in red, are seventeen linear designs in brown, bifurcated on the right side that may represent horse quirts. The shirt is also painted on the back with five geometric shapes that almost certainly represent people (torsos are triangular with round heads, but facial features are not indicated). Designs that probably represent horse tracks are on the right lower sleeve in front and on the reverse on the right shoulder. The lower left sleeve at the wrist is decorated with evenly spaced rows of short slashes. The beads used to decorate the shirt are almost entirely large blue and white pony beads, although there are some tube beads on the epaulets and along the sleeve. The porcupine quills are dyed mainly orange and white. The two rosettes on the chest are quilled with brown fern stems and white porcupine quills and are also appliquéd with white pony beads. There are some remnants of white fur on the tips of the fringe at the hip of the shirt. One feather was attached to fringe. Hair locks are made partly of human hair and partly of horsehair dyed blue-green with a few light colored hairs interspersed among the locks. The locks are wrapped at the base with porcupine quills. This shirt is part of an outfit with leggings 50.67.1b, c.

Culture
Sioux, Yanktonai and Nakota
Material
pony bead, porcupine quill, buckskin, maidenhair fern stem, human hair, horse hair, dye and feather
Holding Institution
Brooklyn Museum
View Item Record
Headdress Frontlet2009-67/2

The feather is turkey (bird). The fur is rabbit. The tail is fox (animal).

Culture
Tlingit
Material
wood, feather, turkey, fur, rabbit, antler, tail, fox, human hair and leather
Holding Institution
The Burke: University of Washington
View Item Record
Headdress Frontlet2009-67/1

The paint is dark green, black, and red. The feather is turkey (bird). The fur is rabbit. The tail is fox (animal).

Culture
Tlingit
Material
wood, paint, feather, turkey, fur, rabbit, antler, tail, fox, human hair and leather
Holding Institution
The Burke: University of Washington
View Item Record
Pipe | Chief Shakes'2.5E561

As soon as northern Northwest Coast people acquired from Euro-American seamen the custom of smoking tobacco rather than chewing or sucking it, they began to make pipes. Those they made for their own use were usually of wood, with the bowl reinforced or made of metal. Sometimes this metal, which protected the wooden pipe from the heat of the burning tobacco, was merely a lining of copper. The favorite material for pipe bowls, however, was a section of musket barrel. By the early nineteenth century, firearms had come into common use all over the coast, obtained from Euro-American traders. (Holm, Spirit and Ancestor, 1987)

Culture
Tlingit: Stikine
Material
wood, iron metal, abalone shell, human hair and paint
Holding Institution
The Burke: University of Washington
View Item Record
Headdress Ornament1406

The paint is red and black.

Culture
Tlingit: Stikine
Material
wood, human hair and paint
Holding Institution
The Burke: University of Washington
View Item Record
Staff | Chief Shakes'1-1443

The staff is an emblem of high esteem. Like the crest hat, it was brought out only on occasions of great importance, carried by the bearer of the lineage title, Shakes, or by his speaker or representative. A dynasty of seven consecutive chiefs held the name Shakes, dating back to the capture of the name Weeshakes in a war with the Nishga. This must have been a very long time ago, for when the Nanyaayi moved to the site of present-day Wrangell in 1833 the title was already held by Shakes IV. The seventh and last chief to assume the name of Shakes died in 1944. (Holm, Spirit and Ancestor, 1987)

Culture
Tlingit: Stikine
Material
red cedar wood, abalone shell, operculum and human hair
Holding Institution
The Burke: University of Washington
View Item Record
Floral Arrangement1995-1/13
Dance Wand1237

The paint is red, black, and green.

Culture
Tlingit
Material
wood, paint and human hair
Holding Institution
The Burke: University of Washington
View Item Record
Bear Headdress1965