• Results (264)
  • Search

Item Search

The item search helps you look through the thousands of items on the RRN and find exactly what you’re after. We’ve split the search into two parts, Results, and Search Filters. You’re in the results section right now. You can still perform “Quick searches” from the menu bar, but if you’re new to the RRN, click the Search tab above and use the exploratory search.

View Tutorial

Log In to see more items.

Shirt for Chief's War Dress50.67.1a

Tailored as an "over-the-head" garment, the shirt is constructed from four pieces of skin (front, back and two sleeves). It is laced together from elbow to wrist on both sides, but the triangular bib is sewn on. Lazy stitch beadwork has been used on the bib and shoulders. Both the front and the back of the shirt are elaborately painted which is unusual. The upper quadrant on the proper left side of the shirt is stained a dark grayish brown, the upper right is smudged with reddish stain. The painted designs on these colored areas probably represent a tally related to war exploits. On the brownish area, sixteen linear objects, possibly stylized rifles, have been drawn in paint, one above the other. On the right, in the area partially stained in red, are seventeen linear designs in brown, bifurcated on the right side that may represent horse quirts. The shirt is also painted on the back with five geometric shapes that almost certainly represent people (torsos are triangular with round heads, but facial features are not indicated). Designs that probably represent horse tracks are on the right lower sleeve in front and on the reverse on the right shoulder. The lower left sleeve at the wrist is decorated with evenly spaced rows of short slashes. The beads used to decorate the shirt are almost entirely large blue and white pony beads, although there are some tube beads on the epaulets and along the sleeve. The porcupine quills are dyed mainly orange and white. The two rosettes on the chest are quilled with brown fern stems and white porcupine quills and are also appliquéd with white pony beads. There are some remnants of white fur on the tips of the fringe at the hip of the shirt. One feather was attached to fringe. Hair locks are made partly of human hair and partly of horsehair dyed blue-green with a few light colored hairs interspersed among the locks. The locks are wrapped at the base with porcupine quills. This shirt is part of an outfit with leggings 50.67.1b, c.

Culture
Sioux, Yanktonai and Nakota
Material
pony bead, porcupine quill, buckskin, maidenhair fern stem, human hair, horse hair, dye and feather
Holding Institution
Brooklyn Museum
View Item Record
Mask ~ Reproduction2001-130/1

The paint is red, black, and blue.

Culture
Bali and Indonesia
Material
wood, paint and horse hair
Holding Institution
The Burke: University of Washington
View Item Record
Model Totem Pole2004-2/318
Two Males Battle Mask2004-2/274

Spirit of the Ancestors-Two Males battle for best spawning grounds. These battles that happen annually for thousands of years are a testiment to the percerverance of the salmon spirit. It's a battle West Coast artists have engaged in to best represent an ancient artform. Striving to pay the art form the respect it deserves. The same perserverance that drives the salmon, drives me as an artist. A battle for that best spawning ground we call the art world. - Gerry Sheena

Culture
Coast Salish
Material
wood, paint, horse hair and string
Holding Institution
The Burke: University of Washington
View Item Record
Mask2004-2/273
Mask2004-2/246

The paint is black, brown, white, green, red, and turquoise.

Culture
Tsimshian and Gitxsan
Material
wood, paint, horse hair, feather, ermine fur and leather
Holding Institution
The Burke: University of Washington
View Item Record
Mask2004-2/216