The string is tan and green. The acrylic paint is black and gray.

The horsehair is black. The string is tan and green. The acrylic paint is black and red.

The acrylic paint is black, red, and green.

The bead is green.

The paint is red and black.

« The Speck collection contains nine tobacco pouches. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12. « The remaining seven tobacco pouches are rectangular in shape and close with semi-circular flaps. One pouch, made from the skin of a moose's leg with the hair on, has a moose skin strap attached to the center of the flap and is ornamented with a short, single row of multicolored seed beads on one side (fig. 20f). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p13, fig 20f (p.48).

Ceremonial war club. Club stick (part a) is long and relatively straight, covered in brown canvas and red felt. Ends are wrapped with narrow strips of fur. Top has an open loop created out of fur. Along the length of the stick are three tassels of horse hair, and several areas of blue glass beading, with the occasional inclusion of some brass beads. Part b is a round, hide wrapped stone. One half of the hide covering is painted dark blue. A braided thong of leather is sewn to the seams of the hide, and attaches two large cream and brown feathers and smaller red feathers with pink beading at the quills, and black glass beads around the thong, to the stone.

Moon mother mask. A large face protrudes from the centre of a convex oval of wood, with a smaller face both above the forehead and below the chin. Central face has prominent black brows and round, black, staring pupils to either side of a carved vertical ridge. Nose has flared red nostrils, above a wide red mouth with a circular labret in an extended lower lip. The smaller faces are nearly identical but with less carved detail and no labret. The bottom face is upside down. Each has several plugs of long brown hair at top of head. The surrounding oval is painted along its edge with black, red and blue-green stripes, with evenly place inset squares of abalone shell. The back of the mask is concave with chamois ties.

Doll figure is made of a cotton under- form, covered at bottom by a red and blue skirt with encircling rows of white beads. Torso and neck are wrapped with a twisted cord of undyed plant fibre, and its head of brown cotton perched at top. Hair made of twisted fibre hangs to below chin, eyes are made of white and orange beads; a line of white beads runs from forehead to chin. A vest of animal hair wraps around the doll’s shoulders and chest, and canvas arms emerge from sides. Bracelets of multi-coloured beads hang from elbows and wrists, and fingers are made of the same. Doll holds a hair whisk in one hand.