Grass Sample. Original field bag lists, "Grass Sample No. 1/Swanson." Species information is also written on the bag, and is stored with the material. No additional field documentation has been located for this sample. (David Hunt, 05/19/2011)

Grass Sample. Original field bag lists, "Grass Sample No. 4/Swanson." Species information is also written on the bag, and is stored with the material. No additional field documentation has been located for this sample. (David Hunt, 05/19/2011)

Grass Sample. Original field bag lists, "Grass Sample No. 3/Swanson." Species information is also written on the bag, and is stored with the material. No additional field documentation has been located for this sample. (David Hunt, 05/19/2011)

Grass Sample. Original field bag lists, "Grass Sample No. 2/Swanson." Species information is also written on the bag, and is stored with the material. No additional field documentation has been located for this sample. (David Hunt, 05/19/2011)

Grass Sample. Original field bag lists, "Grass Sample No. 1/Swanson." Species information is also written on the bag, and is stored with the material. No additional field documentation has been located for this sample. (David Hunt, 05/19/2011)

Grass matting bundle sample from bottom 1st occupation level. No field notebook number given and no excavation information.

Grass matting bundle. The Field Catalog Form shows associations as slough from occupation level 2, between 2nd and 3rd grass levels. No field notebook number given or excavation information.

The catalogue card, written by McIlwraith, states Basket in process of construction...the base is of cedar bark, the rest of a rush known as squaw grass. The basket has a pink, purple and green band near the base, and the beginning of further green and red, and purple designs.; Good

Large drum with both ends covered with skin, one of which is painted with a Corpus Christi scene. Skins are stretched and sewn around a circular-shaped twig frame, which are fitted over each end of the central orange painted wood drum, secured with another bent twig and bound with brown grass twine and leather fastenings that zigzag between the two. On the painted end, in pink, yellow, black and blue on a white background, is depicted an elaborately costumed Corpus Christi dancer, a female spectator, an official and a spotted bird.