Set of four light green stoneware stacking dishes (parts a-d). Set consists of three plates with slightly angled walls, and one bowl with more angled walls. Dishes increase in size from the bowl on top to the widest plate on the bottom. Maker's mark stamped on base of all four plates.

Oil bottle (yu-byeong; 유병; 油甁). Celadon pot with vertical bands of circles separated by vertical lines. Squat, compressed spherical shape with raised neck and flared rim. Unmarked. Round wooden stand (part b) with three legs.

Dark brown, round clay pot with twin heads on top. Pot is glazed. The two heads have circular earrings and tall, brimmed headdresses that act as spouts for the pot. The heads are connected by the edges of their headdresses and at their ears. A third, smaller spout is behind the heads, in the centre back. Wrapped around the twin necks is a necklace with a low hanging pendant. Extending from the sides of the necklace are two arms, that wrap around to the front. The necklace and arms are done in high relief. In the circle of each arm there is a round protuberance. Across the entire pot there are various geometric designs made up of dots impressed into the clay.

Round-bottomed clay jar. Transitions to a glazed concave neck with a wide mouth. The round bottom is hemispherical, and mottled black and orange-red.

Round-bottomed clay jar. Transitions to a glazed concave neck with a wide mouth. The round bottom is hemispherical, and mottled orange-red and black.

Glazed ceramic ancestor figure. Figure has a conical body with two holes where arms should be. Each arm hole has stamped triangles encircling it. The figure's head is shield-like and convex and attached at the tapered point of the body. The face is decorated with stamped facial features and a built up long rectangular nose. Tied to the head is a headdress made of woven white and red fishing net, with a single white and brown feather extending from the top. The figure wears a skirt with a fringe, knotted at the waistband. The skirt alternates between natural yellow-brown fibres, red fibres, and white net fibres. Around the waist and neck are two ceramic ornaments strung on twisted fibres. Within the body hang three light yellow glass skulls that are visible through the armholes. The artist's initials are carved into the figure's neck, and behind both the chest and waist ornaments - 'JKT'.

Round plate with scalloped edge and designs on both sides in blue. Interior design is a floral motif on base and rim; exterior design is also floral with four bands of like designs running around sides, side of foot ring, and underside of rim. Plate is in two large pieces where adhesive from a repair has failed. Other pieces are still adhered.

Plate (part a) with image of flower procession on cream ground with border of geometric design in gold and dark blue. Rim has slightly lobed shape. Inscription on underside of base. Small triangular piece (part b) from previously repaired broken edge is loose.

Large, circular ceramic vessel, resting on three feet modeled in the form of crouching bears. The body has two designs on opposite sides, of taotie masks with pendant ring handles. Covered with an iridescent light green glaze, except for the base.

Pottery hill censer in dark green glaze. Bottom (part a) is in pedestal form with the pedestal forming into a round dish for the base. The round cover (part b) is carved and pierced with hunting scenes of figures and animals. The inside of the base is unglazed. The green glaze on the top and bottom of the dish section is mostly worn away. The clay inside the body of the burner is a dark brown. The green glaze has dripped through the holes of the lid, covering half of the interior brown clay.