Round-bottomed clay jar. Transitions to a glazed concave neck with a wide mouth. The round bottom is hemispherical, and mottled orange-red and black.

Glazed ceramic ancestor figure. Figure has a conical body with two holes where arms should be. Each arm hole has stamped triangles encircling it. The figure's head is shield-like and convex and attached at the tapered point of the body. The face is decorated with stamped facial features and a built up long rectangular nose. Tied to the head is a headdress made of woven white and red fishing net, with a single white and brown feather extending from the top. The figure wears a skirt with a fringe, knotted at the waistband. The skirt alternates between natural yellow-brown fibres, red fibres, and white net fibres. Around the waist and neck are two ceramic ornaments strung on twisted fibres. Within the body hang three light yellow glass skulls that are visible through the armholes. The artist's initials are carved into the figure's neck, and behind both the chest and waist ornaments - 'JKT'.

Round plate with scalloped edge and designs on both sides in blue. Interior design is a floral motif on base and rim; exterior design is also floral with four bands of like designs running around sides, side of foot ring, and underside of rim. Plate is in two large pieces where adhesive from a repair has failed. Other pieces are still adhered.

Plate (part a) with image of flower procession on cream ground with border of geometric design in gold and dark blue. Rim has slightly lobed shape. Inscription on underside of base. Small triangular piece (part b) from previously repaired broken edge is loose.

Large, circular ceramic vessel, resting on three feet modeled in the form of crouching bears. The body has two designs on opposite sides, of taotie masks with pendant ring handles. Covered with an iridescent light green glaze, except for the base.

Pottery hill censer in dark green glaze. Bottom (part a) is in pedestal form with the pedestal forming into a round dish for the base. The round cover (part b) is carved and pierced with hunting scenes of figures and animals. The inside of the base is unglazed. The green glaze on the top and bottom of the dish section is mostly worn away. The clay inside the body of the burner is a dark brown. The green glaze has dripped through the holes of the lid, covering half of the interior brown clay.

Vase is round and bulbous with a wide shoulder narrowing to the short neck and lip. At the bottom, the pot sits on a small brown foot. The vase is light grey with tiny dark brown speckles and decorated with two linear figures of a slightly raised dark grey glaze, with two rounded red glaze figures located in between. One side of the pot appears to have a shinier finish while the other side has a more matte appearance.

Woman’s full-length, A-line, colourful robe or coat, with long tapered sleeves; open at centre front from neck to hemline, no closures; made of red, yellow, purple, green and blue warp-ikat textile; silk warp, cotton weft; surface glazed with egg white(?). Gathering at the sides just under the sleeves. 16 cm vertical slits at each side at the hem. Front edges and bottom hem trimmed with 2.3 cm blue, pink and off white tablet-woven braid; sleeve hems trimmed with pink, blue, black and off-white 1.5 cm tablet woven braid. Body is lined with black and off-white checked cotton textile; sleeves lined with orange and off-white cotton textile; edges of the body of the garments are faced on the inside with bias strips of multi-coloured ikat textile (silk warp, cotton weft); sleeves faced with bias strips of brightly coloured floral printed cotton textile.

Woman’s full-length, A-line, colourful robe or coat with long, tapered sleeves; open at centre front from neck to hem with no closures; front right and left sides do not overlap; made of red, yellow and white warp-ikat textile (silk warp, cotton weft) with a glazed surface; sun disc, ram’s horn and tambourine motifs predominate. There is a vertical opening for a pocket in the right front seam, below the waist; it is bound with 4 cm fringed black and purple braid with yellow and green zigzag trim; the pocket pouch, which is made with red, blue, yellow and white printed cotton textile, is attached to the inside of the robe. A band of wide (3.5 cm) black and purple braid extends from the top of the pocket horizontally under the sleeve to the back of the robe. There is a similar horizontal strip of black and purple braid trim at the same position on the left side, but there is no pocket on the left side. All edges are trimmed on the outside with narrow (5 mm) purple braid make by loop manipulation technique. The edges are faced on the inside with bias strips of machine-printed green, pink and white cotton textile with a floral motif. Vertical slits (12 cm) at the bottom hem on each side. Unlined.

Round vase with a small foot and short neck. From the neck the vase widens slightly then tapers down to a foot. At the top the pot is dark brown, the colour fades to a medium brown then to a light brown at the bottom, with tiny dark black brown speckles. The top third of the vase is finished with a shiny glaze, while the bottom area is not glazed.