« The Speck collection contains nine tobacco pouches. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.12. « The remaining seven tobacco pouches are rectangular in shape and close with semi-circular flaps. » Ibis « Two pouches from the neighboring Chicoutimi band are made of imported sealskin. The largest of these is edged with dark green cotton tape and ornamented with floral designs in red, pink, white, and yellow beads on the flap and on the back. Around the edges are small loops of red beads (fig. 22a). » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.13, fig 22a (p.50). « Speck (1935, pp. 190-191) has noted that for the Montagnais, the symbolic pictorial representation of a plant or animal was equivalent to the actual plant or animal and those portrayed were believed to come under the control of the individual human spirit. Dreams played a major part in suggesting the relationship between specific animals or plants and an individual. The spirit was strengthened by having its dream promptings obeyed and success in subsistence activities was thereby assured. » Vanstone, James W. "The Speck Collection of Montagnais Material Culture from the Lower St. Lawrence Drainage, Quebec." Fieldiana. Anthropology. New Series, No. 5 (October 29, 1982), p.10.

Toy parrot. Bird stands balanced on both legs and a long thick tail, with a thick torso and no discernible wings. It is completely covered with glass seed beads sewn to an under-layer of fabric in zigzag patterning on torso and diagonal lines on tail, in colours of white, blue, red, green and orange. Face is white with red beak and eyes. Around neck and along top of tail are small tassels in a multitude of colours.

Toy horse. Animal has a long neck, thin legs, and a long body. It is completely covered with glass seed beads sewn to a layer of yellow silk in criss-cross patterns on the neck, and diagonal lines on legs and body, in colours of white, blue, red, yellow, green and orange. Face is white with red halter and tail is multicoloured with a tuft of purple wool at tip. Mane and reins are constructed of a line of beading with small tassels in blue, pink, yellow, grey and purple.

Toy elephant. Animal has a thick trunk, relatively small head and ears, long legs, and a thin body. It is completely covered with glass seed beads sewn to a layer of blue silk in criss-cross patterns of white filled with green and red. Face is white with blue ears and eyes, and small red tusks emerge. Curved trunk and legs are decorated with diagonal lines of beads in red, green and white, with a ring of yellow at trunk’s tip. Tail is beaded similarly, with a tuft of light purple wool at end.

Ceremonial war club. Club stick (part a) is long and relatively straight, covered in brown canvas and red felt. Ends are wrapped with narrow strips of fur. Top has an open loop created out of fur. Along the length of the stick are three tassels of horse hair, and several areas of blue glass beading, with the occasional inclusion of some brass beads. Part b is a round, hide wrapped stone. One half of the hide covering is painted dark blue. A braided thong of leather is sewn to the seams of the hide, and attaches two large cream and brown feathers and smaller red feathers with pink beading at the quills, and black glass beads around the thong, to the stone.

Bow. Back is straight, with gentle curving of each limb. Belly is painted orange, back is covered with striped green snakeskin, and tips are covered in leather. Where limbs start to curve, bow is wrapped with strands of glass beads in pink, blue, green and yellow. The grip is covered with hide and cotton. String is made of twisted sinew, attached to each end of the bow by a tied off loop.

Gloves, or gauntlets, made of soft suede, fully lined with a synthetic fleece. Opening is wide at forearm, with a closed hand pocket and a detached thumb. Wrist panel at top is black felt decorated by beading of a large light pink flower surrounded by light green leaves, and small dark red flowers with a dark green centre. Panel is edged by a long thick fringe along the outside and a short fringe laying around the wrist, both made of imitation hide.

Miniature tobacco pouch. Bag is made of hide, rectangular in shape, with a long fringe at bottom. Front panel is covered with unrolled quills cut into small rectangles and dyed red, yellow or white. These are arranged into two opposing red triangles edged with yellow. White triangles emerge from the sides. At top are two fine handles made of white and green glass beads looped onto thread. The back of the pouch is undecorated.

Beaded belt. Belt is made of a thick, wide strip of stiff leather, heavily beaded on one side, undecorated on the other. On a white beaded background are sets of blue and orange diamond shapes accompanied by green rectangles each filled with a blue and orange cross. These sets are interspersed by areas of bare leather. Belt closure is a thin leather strip sewn to one end that fits a simple metal buckle at the other.

Beaded vest. Vest is made of leather, open at the front with two leather tie closures. The front is completely beaded in white edged in red, surrounding a blue vine running down each side carrying multicoloured flowers and foliage. Short, thick fringe hangs from the edges and bottom of the garment as well as in a strip down the centre back. To either side of the strip are two red beaded crosses, four in total, with lines of red beading along bottom and shoulder. The interior of the garment is lined with blue and cream gingham cotton.