Beaded belt with flap and long beaded neck strap. The belt is composed of two long rectangular strips of hide overlaid with red wool trade cloth that attach to a wide rectangular section of hide at centre. The two strips attach at the back with two mismatched metal buttons. The front section has a flap with red wool facing out, and interior lined with a burgundy with brown floral fabric. All edges finished with blue binding and edged with white beads. The strap is composed of two long pieces of red wool back with beige fabric attached at the neck. The strap has four matching beaded designs in light blue, light brown-yellow and black. The belt flap has three similar sun-like designs in a row in black, white, light pink, light blue, dark blue, and yellow-green. Two more mirrored beaded designs are on each hip in light blue, navy blue, light pink, violet and dark green.

Tall bottle covered with a woven basketry sleeve and cap. The bottom of the bottle is bulbous, with a thin tall neck. Weaving alternates between sections of loose and tight weaves. Tight weave is decorated with small birds in faded green and a large wolf(?), and a thunderbird with a snake in its talons.

Power figure (nkisi nkondi). Standing male figure (part a) with left arm down at side with hand positioned to hold something, his right arm raised with fingers curled to grasp a spear (part b). The figure has inset glass eyes with painted white pupils. The face is carved with an open mouth with bowed lips, a triangular nose, and large ears. The hair is striped black and orange-brown, and wrapped at the hairline with a plaited fabric band. The body is covered with rusted nails and small triangular metal blades. Strips of fabric are wound throughout the nails, with some bone fragments included. Attached to the chest and abdomen, one above the other, are two rectangular glass-front boxes containing plant fibres and other materials. The glass is covered by grey clay with inset small red beads, leaving a small circular area through which to view its contents, and is wrapped in twine. The figure stands on a rounded rectangular wood base with a large piece missing. The wooden spear has a cylindrical shaft and triangular tip, all carved from a single piece of wood.

Beaded bag composed of a long, thin shoulder strap and long semi-circular hide pouch, overlaid with red wool trade cloth and brown fabric. The front is stitched with a red and white checkered panel and flanked top and bottom two abstract designs in blue, clear, white, and black glass and seed beads. Edges finished with brown binding on the bag, and black binding on the strap. Edged overall in white pony beads.

Heavily beaded bag with long beaded neck strap. The rectangular pouch is heavily beaded with white and navy blue designs. The opening has a band of red wool trade cloth, hemmed with a dark yellow-green stitched trim, and is lined with white beads. Beaded design on front and back in clear, dark blue and light blues beads. The bottom of the bag is a flap, with red wool trade cloth on the exterior, lined with beige with black and red floral patterned fabric on interior. The strap has a continuous design in white beads down the centre.

Beaded dagger sheath composed of two layers of dark brown corduroy, the bottom layer about an inch longer at the open end, with sides sewn together. Interior lined with a beige fabric. A wide strap is attached at open end of the sheath. Composed of five pieces of brown fabric (two sets of two matching, and one different) and is decorated with four matching beaded designs in white and sky blue. The back is lined a dark blue fabric on each end. All sides of the strap and sheath are hemmed with a stitched trim. Most sides are further decorated with white beading in a subtle zigzag.

Small bag composed of a long shoulder strap and long semi-circular hide pouch. Pouch overlaid with brown wool trade cloth and decorated with a beaded checkered panel in dark blue and clear, flanked top and bottom by beaded abstract elements in light blue, red, dark blue and clear. Edged in white beads.

Diamond-shaped breastplate painted with gold. Cross-shaped metalwork at centre, with five inset polished oval reddish-brown carnelian(?) stones, one at each end of the cross and one at the centre. Around the cross is a diamond-shaped band composed of small plaited chains of metal, then a row of small inset polished circular reddish-brown stones, and then a band around the outer edge of two plaited chains with a snaking line between. At the top is a small hooked attachment. Top edges decorated with attached triangular clover-shaped metal pieces. Bottom edge has a fringe of chains with diamond-shaped ornaments at the end. There are eight tassels, one on each side with two more hanging from long plaited fibres, and two more near the bottom edge. Each tassel composed of a metal cap, from which diamond ornaments hang from S-hooks around the edge, and dark green, dark pink, or dark eggplant purple fibre hangs from underneath with small white beads at the end.

Glazed ceramic ancestor figure. Figure has a conical body with two holes where arms should be. Each arm hole has stamped triangles encircling it. The figure's head is shield-like and convex and attached at the tapered point of the body. The face is decorated with stamped facial features and a built up long rectangular nose. Tied to the head is a headdress made of woven white and red fishing net, with a single white and brown feather extending from the top. The figure wears a skirt with a fringe, knotted at the waistband. The skirt alternates between natural yellow-brown fibres, red fibres, and white net fibres. Around the waist and neck are two ceramic ornaments strung on twisted fibres. Within the body hang three light yellow glass skulls that are visible through the armholes. The artist's initials are carved into the figure's neck, and behind both the chest and waist ornaments - 'JKT'.

Mask carved from a single piece of wood. Bulging forehead, prominent nose, and sunken cheeks. Cowrie shells and seedpods outline the face, and are arranged in decorative patterns. The face is covered by pounded copper sheeting with repoussé designs. Continuous lines of black beads extend horizontally across the face, around the eyes, down the bridge of the nose, and around the mouth. A large black beaded trident form on the forehead. The cheekbones and nostrils are heavily beaded in small black and white beads. Goat skin, goat hair, and raffia cloth embellish the top of the head. A woven strip hangs from the chin. The base of the mask is outlined by two rows of cowrie shells, with strings of large reddish-brown seedpods and feathers hanging down.