Found 179 items made of Refine Search .
Found 179 items made of Refine Search .
The item search helps you look through the thousands of items on the RRN and find exactly what you’re after. We’ve split the search into two parts, Results, and Search Filters. You’re in the results section right now. You can still perform “Quick searches” from the menu bar, but if you’re new to the RRN, click the Search tab above and use the exploratory search.
View TutorialLog In to see more items.
Band of braided plant fibre with cowrie shells. The largest shells are stitched to the middle section, with smaller shells near the ends.
The Elizabeth Cole Butler Collection.
Standing female figure (ibeji) on square base. Female stands upright with arms connected to waist. Round eyes are closed with 3 pointed lines carved under each. Ears are flat against the head. Fibre loops strung with small oval shells are tied around each arm. Stylized triangles are carved into the chest and lower back. Breasts form rounded points. Headdress is short with a ridge extending around the head. Raised vertical lines connect to the middle of the ridge to form a flat triangle. Horizontal lines circle all parts of the headdress with traces of blue pigment remaining in the crevices.
Horned cap-like headdress. Helmet (part a) is made of half a rounded gourd, with rows of cowrie shells evenly sewn on in concentric circles, nearly covering the outer surface. Two long, curving horns, heavily ridged, emerge from the top of the headdress, tips pointing inward toward each other. (One horn--part b--can be removed.) From the rim of the gourd hangs a chin strap of braided tan and black leather with a leather tassel painted with black lines attached at centre along side a long, thin strap of leather covered on one side with cowrie shells, ending in a similar tassel . Parts 'c' through 'i' are similar strips that are detached from the headdress.
Figure of a standing female. Woman stands squarely, large feet planted on a thick stand, arms by her sides with fingers straight. Large breasts hang from sloping shoulders. Her neck is thick, and face is carved with an open mouth showing small teeth, a large nose, and fine brows. Eyes are made from round nail heads. Ears are large and delicately carved with a piercing in the left lobe. Her hair, parted in the middle, is held back from a high forehead by a thin band carved with vertical stripes, while the top and back of her head are carved with diagonal stripes. Part b is a cowrie shell necklace that is looped several times around the figure's neck.
'Comb mask'. A long, rectangular wooden face, rounded at the chin, is topped by a tall eight-sticked headdress. The nose is raised, long and thin, connected to a raised forehead piece and sided by square-cut eye holes. Two cowrie shells are attached to the comb, and a tie of cotton is strung through two holes on each side of the mask. The interior is concave.
Tall, freestanding sculpture carved of wood. A female wearing a white mask embellished with painted lines and crescent motifs holds an axe aloft in her right hand. She wears a shell and sago fibre necklace around her neck, and a short sago skirt at her waist. Atop her head is a large sea bird painted in shades of light brown, with wings stretched up and out, beak and talons grasping a fish attached to the woman's forehead. The woman sits on the shoulders of a male figure, painted dark brown, who grasps her legs, wearing a large crocodile mask and a feathered loin cloth around his waist. He stands on a small round base carved as a turtle. The eyes of all the figures are shell.
Body adornment (karawut) woven of bark and fibre. The object is coloured with ochre, charcoal and lime, and takes a basic human shape with head at top, protruding nose running down the length of the face, large open eyes, and open mouth below nose. At bottom are two thin legs with dangling cowrie shells as feet. The chest is thickly padded. Lines of cowrie shells are sewn onto the torso and upper legs, and boar tusks, two per side, are attached along the midpoint edges. At back, a short loop of fibre is attached at mid-upper shoulder.
Tall standing figure of a man. Left hand falls to his side, right holds a tall decorated staff. Around his waist is painted a loin cloth reaching mid-shin front and back. Several painted necklaces encircle his throat, as does a plant fibre cord holding a clam shell ornament. The man wears a mask heavily painted in a tan base colour topped with arrows and swirls in orange and dark grey. A tall headdress sits atop his head, carved to look like feathers at the sides and long curving horns at front. The figure stands on a small round base.
Wood carving of a man with drum, snake and bird. Man wearing a mask with prominent teeth and a shell headdress stands in a dance position, holding a kundu drum with handle in one hand and playing it with the other. A burlap skirt sits at his waist, and his ankles and wrists are decorated with loops of twisted rope. His left foot balances on the head of a large snake, its tail extending up past his shoulders and spanning the back of a large white and black eagle that stands on the man’s head. The eagle’s wings are slightly spread and it looks to the left with beak slightly open. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the signature “Sebbie Dumoi” painted in white.