Worn figure of a person with legs together, arms across body and wearing a headdress. Small amounts of blue paint remain in depressions.

Vase with abstract designs around body. Vase is somewhat cylindrical, tapering slightly to a shoulder. The shoulder, body and lip all have two ribbed lines. The vase has a short neck and flared lip. The vase is light grey with tiny dark brown speckles. Flat unglazed bottom with incised artist's mark.

Square ceramic tile decorated with a clematis vine design. Centre has dark blue flowers on a dark turquoise ground. The centre is bordered by repeating squares with small white flowers and white bands with repeating light blue dots on dark yellow ground. Surface is glazed. Back of tile has 6 raised lines. Manufacturer’s mark, Minton Hollins Co Patent Tile Works Stoke on Trent No 2 Buff, stamped on ridges.

Square floor tile with quatrefoil foliate design. Surface is glazed. Dark brown square and quatrefoil designs on a yellow-beige ground, and red-brown foliage spandrel in each corner. The quatrefoil has a blue and white cross at centre with a red-brown lozenge. On the back, there are 4 rows of 4 circular holes. Manufacturer’s mark, W. Godwin Lugwardine Hereford, moulded in relief on the reverse.

Square ceramic tile with black designs on yellow ground. Surface and sides are glazed. Four large floral designs, one in each corner, that connect to each other and to a smaller floral design at centre. All of the shapes are filled with a mixture of floral and curvilinear motifs. Grid on back of tile. Manufacturer’s mark, Minton Hollins Co Patent Tile Works Stoke on Trent, stamped in between ridges. Inscription on back.

Wrap-around skirt. Top portion is a solid dark blue. Lower portion has two thick bands of embroidered design on a black background, flanked by teal bands, with a large solid dark purple band through the middle. A single row of cowrie shells are sewn along the top band with strings of beads, evenly spaced, hanging down. Each string has many different sizes of reddish-brown cylindrical beads, a few small red glass beads, and each with a pearlescent seed at the end. From the centre of the row of cowrie shells, two bells are hung. Single-side embroidery.

Small clay pot with a flared neck and wide shoulder which tapers in to a raised circular foot. Incised designs around the neck of repeating dots, and on sides - a column of repeating turned v's bordered with three solid lines and one dashed line on either side. This is repeated three times, with incised information between each design - 'Papua New Guinea', 'Bilbil Village', and 'Madang Province'.

Red clay pot with burn marks throughout. Pot has a flared neck and wide, steep shoulder, that tapers to a rounded base with three stout legs. Pot has two beak-spouts on either side of circular opening; spouts and neck have ridged sides. Dots and lines border bottom edges of openings; dots done in relief, lines are incised. Edge of shoulder is decorated with two rows of imprinted dots. Columns of chevrons are incised on main body of pot, and on shoulder; columns point towards one another. The place made information isincised into side of pot: 'Papua New Guinea', 'Bilbil Village', and 'Madang Province'.

Small lidded pot with burnished finish. Pot (part a) has a wide mouth, and sloped and rounded shoulder that narrows to a small flat base. Artist signature, date made, and title incised on base. Large circular lid (part b) is decorated across exterior surface with formline motifs, done in relief. Centre of design consists of a face with wide eyes, straight brows, large nose, and an open mouth with the tongue sticking out; markings on forehead and cheeks. Face is surrounded by a wide band, with protruding split U-shapes that extend to edge of lid. Lid has a long lip that curves downward; flange closer to centre of interior. Exterior surfaces of pot and lid range in colour from off-white to black; speckling throughout. Interiors are smooth and somewhat rough in texture; coloured light grey.

Off-white clay bowl with black painted design across interior. Central design is of large figure with very long phallus, being held up by three smaller figures. Large figure has their long hands held upright, with the palms up. They have spiked hair, small bun on the back of their head, diagonal line across cheek, and are wearing a checked collar. The smaller figures have braided(?) hair and protruding phalluses. Interior edge of bowl trimmed with five linear bands; outer bands are thicker than inner. Patterns stamped and done in relief across exterior sides of bowl. From top to bottom: swirls with human and animal motifs throughout, raised line, repeating words "OUR HISTORY", inverted stepped triangles, abstract diamonds inside ovals, alternating feathers and groupings of vertical lines, potted flowers, abstract linear motifs, and circles. Artist inscription, done in black, on base: artist mark. Judy Chartrand. Ancient Mimbres. circa: 1100 AD. "WAKUSOYO". Tewa language.