Large, flat mask made using a wooden frame. Frame formed using a long, arching piece of wood, which is attached on either end to a shorter, straight piece of wood. Weaving is mounted within the frame. A very thin piece of wood or plant material is used to divide the centre into an hourglass-like shape, as well as give the piece two circular eyes, and a small fish(?). The eyes, fish and sides are filled with clay painted grey and black, with geometric designs on the sides. Extending out from the arch of the frame, and down from the straight edge is long fringe, created by knotting the fibre along thin plaited straps, which are then attached to the frame.

Bentwood box with pitch on the interior. There is a hole drilled in each upper corner of each side. On the front and back of the box there are light carvings - a large triangle at centre fills most of the space, with a row of small upside-down triangles along the upper edge. The box folds have fibre sewn throughout to stitch it together.

White ceramic pipe bowl (part a) with a partly handmade wooden stem (part b). Outside of bowl is oblong and upright, painted on front with a green and brown scene of a buck walking through a forest. The bowl sits inside one arm of the ceramic double shank, with the thin wooden stem emerging from the other. Bit and lip appear to be made from a plastic-like material (possibly added later). A thin tie of twisted wool in green and tan is attached where bowl meets shank.

Nasca style contemporary jar. Spherical hollow body with deep cylindrical bowl at centre and a long spout at the side. Painted decoration of five figures holding weapons with a dark brown background. Unpainted base. Polished surface.

Elongated jar with rounded bottom. Body of pot is wide at shoulder, inclining smoothly toward the pointed base. Rim is cup-shaped, surrounding a smaller mouth, with two small protuberances at either side. It sits on a smaller, bulbous neck. Two small handles span from neck to shoulder, beneath the rim’s protuberances. Half the pot is painted brown, and half a light yellow-white, with a small step design of the opposite side’s colour sitting below the neck on each side.

Elongated jar with rounded bottom. Pot in human form, with legs and arms rising slightly off surface of the body. Legs curve around front from sides, with small feet protruding. Arms are held at chest level, hands clutching a small vessel. Neck of jar is tall with straight sides, made into a face with large rounded ears, protruding nose and eyes, and a wide mouth. Small triangles emerge around the rim of the pot and a tiny round handle sits at back of neck. Pot is mainly unpainted but for chin, eyes and forehead which appear to have been dark brown at one time, and light staining suggesting colours on sides and back of head.

Polished ceramic head of a figure. The figure has a large bump protruding from their left cheek. The facial features are incised with exception to the built up nose. There is a small circular hole on the top of the head. Fragment of a larger object.

Small standing female figure. The figure has a bulbous waist with tapering legs. She has wide incised eyes, a pointed nose, and bared teeth. The figure has a strongly incised vaginal opening and an anus. She wears a simple headdress and large ear spools. The head (part a) has broken off from the body (part b) of the figure at the neck. There are remnants of red paint all over the figure.

Upper body of a small female figure. The figure is very wide and flat. She has wide incised eyes, a pointed nose, pouted mouth, and is wearing a simple headdress. Her left arm and legs have all broken off. Fragment of a larger object.