Part of a tumbuan body mask/costume. Conical helmet like mask with a very long nose, agape mouth, protruding lower lip, and a woven fringe dividing front from back. Made of rattan woven over a wood frame, it is coated with a thin layer of clay. Has painted tear shapes around the eyes. Painted zigzags on the fringe, and feathers on the lip and nose tip.

Mask with a concave face, protruding eyes, a looped nose, concave ears, and a dish-like oval object on the forehead. A rail runs below the face, and another bound with cassowary feathers and brown feathers are also spaced evenly along the rail. Cassowary feathers decorate the nose and sennit fibre tassels hang from the ears. The mask is made of rattan woven over a frame of wood that is thinly coated with clay. The facial features are emphasized with black and white pigment.

Part of a tumbuan body mask/costume. Fibre mask, conical in shape with a sennit fringe around the bottom edge and outlining the central face. The entire body is painted with a faded white, black and red zigzag-like pattern. The face has a red triangular pattern outlined in black on a white ground. The eyes are black woven circles with holes in the middle; the red nose is woven and protrudes out with a long bundle of sennit hanging down from the tip. The brow consists of black bird skin while the painted forehead is lined with cassowary feathers and toped with a piece of cuscus skin. The inside is hollow.

Tumbuan body mask/costume. A tall conical fibre, woven mask with two faces. At the top is a bird-like face crowned with cuscus fur and cassowary feathers; it has a long, protruding beak with a large feathered tassel at the end. At the centre of the body is a black human head made of clay with inlaid shell eyes and decoration; the top has human hair and feathers. Above are open eyeholes for the wearer, on the sides are armholes. The mask is of woven rattan over a bamboo frame, painted with red and white stripes and other detailing.

Flute consisting of a large piece of loose skinned bamboo, bound with two sets of crisscrossing fibre and three cassowary feather rings at the top, middle and bottom. The stop of the flute is a carved kneeling man facing outwards with a crested bird standing behind him with its claws ? resting on the man’s head. The bird has a large extending crest on its head, long groups of feathers hanging from the side of its head and carved stylized detailing on its body. Both the bird and the man have cowrie eyes; the bird also has four tassels down the back. The figures and the fibre ties on the bamboo are covered in a black pigment.

Carved wooden yipwon (hook figure). Downward pointed hook shaped in the form of a human figure (part a). The figure is wearing a triangular shaped, flat headdress. The eyes are inlayed with cowrie shells, the nose projects slightly with a hollow septum, the mouth is small and incised while the chin is long and pointed. The body of the figure consists of opposed hooks encircling a central protrusion and two upward facing hooks appearing like human ribs. The frame hooks or back of the figure curves in slightly then ends with one human leg with a small foot and carved toes. The hook is stained black. Covering part of the figure’s head is a cassowary feather wig (part b) with skin that has been has been pierced in two places and fibre strands tied through.

Short bamboo section, bound with fibres and with fibre and feather rings at top and bottom. The stop is a kneeling man with a crested bird on his head. Both have cowrie eyes, the bird also has a row of fibre tassels on its back while the man has 1 in his nose. The bird also has a tuft of feathers on its cheek.

Bamboo pole bound with bamboo grass, covered with dark pigment, and divided by three rings of woven bamboo grass and dark feathers. The wooden stop forms a crocodile merging into a crested bird. Both have cowrie eyes; the bird also has a row of fibre tassels hanging from the back and a cheek mound with feathers, shells, and a fibre loop.

Flute formed by a bamboo tube, split its whole length, held together with rings and lashings of bark and with a hole in the side near the stop. The wooden stop has a kneeling woman, with a bird on top of her head, and a human head upside down behind her legs with black cassowary feathers adorning it. Cowrie shells are inlaid into the eyes, the bird's neck, and the human foreheads. There is hair on the human heads and another fringe of cassowary feathers at the open end.

Cassowary feather headdress consisting of a curved, braided band with twisted ties on either end. Multiple feathers are bound tightly to pieces of reed(?) and the bundles are woven into two layers along the band. Feathers at front are red-brown and black; back feathers are a mix of white and light brown. Additional layer of bound reeds woven along back of band.