These hide moccasins are made identically to each other with a floral pattern on the vamp, sides and cuff. The hide cuff is sewn on and has a ribbon edging. The beadwork contains rare solid gold or gold plated beads considered unique and used in the Southeast region which suggests the moccasins are Cherokee in origin. Some historians feel the use of these beads is linked to the 1829 Georgia Gold Rush era. See supplemental file in curator office.

The object is a bow, a bow case, arrows and a quiver. Bow is inlaid with elk antler and decorated with bands of mallard duck neck skin. There is red dyed horsehair tufts at each end. Duck skin is used because for the Sioux the duck appears in all three levels of the world - sky, water and earth. The buffalo hide bow and quiver case has red and black pigment mixed with glue. Even lines of glue are used to create lines around the black triangles. The bow has an elaborate design on the surface created by inlaid sections of elk horn. On either side of the inlaid area is a red painted band, at the ends of which are mallard scalp feathers that have almost disappeared. The bow is backed with white-painted thread. Attached to each end of the bow are red horsehair ornaments. Also attached is a strip of red stroud cloth fastened around the handgrip. The bow case and quiver are made of buffalo hide and have sparsely painted designs. There are five configured designs: two on each side of the bow case and one on the quiver. The designs are made up of elongated diamond shapes divided in half with a small linking section between each repeated triangular part. All parts of the design are delineated with thin impressed lines. The triangles are filled in alternately with dark brown and red color. The small linking section is brown. The intensity of the colors is pale, perhaps from an application of sizing. From the bottom of the bow case hang hide tabs, with pierced decorations.

This unknown kachina character has a clown-like, painted face and fur-decorated head. He wears a fur vest and a fabric and yarn dance skirt. He wears yarn around his wrists and legs. The rest of his decoration is painted.

Museum Expediton 1907, Museum Collection Fund

This fringe is made from a partially tanned strip of buffalo hide that is wrapped at the top with bird quills. Several lines of this quill wrapped fringe combine to form repeated blocks of color. Usually quillwork comes down longer. The top of the quilled section has a row of white beads that resemble olivella shells.Usually quillwork comes down longer.From left to right the blocks are: blue, black, and brown (perhaps once orange) repeated in sequence. .The shell beads are unusual and the porcupine quill and white beads come from over in the Minnesota area. It is too wide for a pipe bag. Possibly Mandan-Hidatsa area or Sioux.

Hide tipi bag with beaded front design of crosses, centered in two turquoise bands edged with yellow. The sides have inset beadwork with tin cones inserted with red fabric tassels.

This extremely graceful spoon is carved from one piece of horn that has beautiful amber and brown striations in its coloring. The bowl is very thin and large. The handle is a round delicate tube that curves from the bowl and after a length curves back almost 180 degrees to culminate in a water bird head with a long open beak.

This tightly woven bag has an elegant, dark blue, thunderbird design woven on natural color one side and a blue and natural stripe with a orange/red stripe on the reverse. Reviewed by Matha Gradolf, Winnebago (Hochunk) weaver from Nebraska 5/3/05.

Buffalo calf skin drum. Skin is lashed to the bottom of the frame with sinew, four strips of which are twisted into the centre and tied together in a large knot. The top rim is painted with a band of black and red and the top surface has four black V-shapes placed on opposing sides and a red crescent in the centre. Inscription on inside of wood frame.