Brass betel nut cutter with two scissor-like hinged components, cast in a 'maithun' couple motif. One component is in the shape of a man and the other a woman. The figures face each other, the male figure has a blade-like section down his front which fits into a narrow opening down the front of the female body. One leg extends down from the bottom of each body, allowing for opening and closing the cutter.

Brass betel nut cutter with two scissor-like hinged components. The main piece of the cutter is shaped and carved to resemble a peacock with its head turned over its back so that its beak touches its feathers, a blade-like section below its body, and a long extended handle portion representing the tail. The lower hinged component has a flat section that corresponds to the blade-like portion on the main component, and an extended handle in a shape echoing that of the main component. These extensions allow for opening and closing the cutter.

Fish-shaped brass container. The head of the fish is hinged to the body on the top and latched to the body at the bottom. On the bottom latch there is a short length of black and yellow textile rope. The head has two large half circles on either side which represent the gills. The main pattern on either side of the body is carved in such a way to look like scales. On the top of the box there are three fins, the largest being closest to the head and then getting successively smaller towards the tail. There is a hollowed out circle on the largest fin. On the bottom of the fish there are four wavy lines separated by a straight line. There are two protruding half circles are on top of the line design. Near the tail there is a design that wraps around the fish that is made up of straight lines, wavy lines, arrows and a braided line.

Rectangular, footed brass box with hinged, pyramid-shaped lid. The lid of the box is decorated with several different designs including straight and wavy lined patterns. In the centre of each of the four side panels of the lid are six spirals designs, three on either side of a centre line. There are four ‘balls’ on each panel, two at the bottom corners and two on at the top. A curvilinear shaped handle is fixed at the top of the lid. The lid is hinged to the body of the box on the back side and on the front side there is a hinged, loop-shaped latch which closes over a corresponding fixed loop-shaped protrusion extending from the front of the body. The main body of the box has a open work pattern that resembles a cage. There are also three ‘balls’ along each of the four vertical edges of the box. The box rest on four small feet, one in each of the four corners.

Pair of brass earrings, each made of a single cylindrical length of metal, bent into an elliptical-shaped hook at the top end. A metal wire is wrapped closely around the length of each earring, and there is a brass ball at the base of the length.

Women's circular-shaped brass neck ring, open at the top. There is spiraling groove carved around the central two-thirds of the neck ring. Both ends taper at the opening and are smooth with no carving present. One tapered end curves to make a “U” shape, while the other end has a much broader bend.

Cloisonné enamel spatula with long thin metal handle. The spatula is decorated with a dense design of flowers and scrolling leaves on a turquoise ground.

Cloisonné enamel vase decorated with a dense design of flowers and scrolling leaves on a turquoise ground, with cartouches containing Arabic inscriptions in the Chinese style of calligraphy (known as sini) on a turquoise ground.

Cloisonné enamel lidded box decorated with a dense design of flowers and scrolling leaves on a turquoise ground, with cartouches containing Arabic inscriptions in the Chinese style of calligraphy on a pale turquoise ground.

Cloisonné enamel lidded incense burner decorated with a dense design of flowers and scrolling leaves on a turquoise ground, with cartouches containing Arabic inscriptions in the Chinese style of calligraphy on a pale turquoise ground.