Long knife (part a), whittling knife (part b) and scabbard (part c). Long knife has a deer horn hilt carved into the profile of a bird’s head. Hourglass-like designs and curvilinear motifs incised throughout. Protruding from the top of the bird’s head and the beak are sections of short black and red hair. Hole drilled through pronounced nostrils, for hanging or attachment purposes. Hilt grip covered with woven band of rattan. The blade is convex on one side, slightly concave on the other, and widens from the hilt. Tip is angled. The whittling knife has a small curved blade attached to a long, slightly curved handle. Blade end of hilt decorated with a wide band of braided metal. Blades of both knifes are secured to hilts with resin. The scabbard is composed of a wood sheath for the long knife and a bark sheath for the whittling knife. Wood sheath made of two pieces of wood bound together with rattan. Ties alternate between single dyed strands and thick decorative bands. Bands, woven with naturally coloured and dyed strands, consist of “X”-shaped designs, concentric circles and knots. Wood is painted dark red and has incised motifs, matching designs on long knife hilt, throughout. Bark sheath is undecorated and secured to wood sheath with plain rattan ties. Braided rattan carrying cord, with looped end, threaded through bark sheath.

Bone pipe with geometric and dot motifs carved along the exterior; designs darkened with charcoal. Lip and stem are oval-shaped, end widens into a triangle. Two bands, filled with dots, circle both openings. Dotted lines of connected diamonds decorate top and bottom of pipe.

Small bundle of six bone tools, held together with a sinew cord. Holes sinew is strung through are drilled near the top edge of all tools. Four tools have curved tops and pointed ends; other two are flat and have sloped tips. Pointed tools grouped together on left side of bundle, flat tools on right side.

Carved wooden figure depicting a standing woman. She is forward facing, with a flat body, thin arms and rounded legs. Her feet are circular and have incised lines along the front edges, imitating toes. She has a wide neck and long, oval-shaped face. Her eyebrows are pronounced and she has a thin nose, and straight mouth. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend upward, into a large bun, protruding from the top of her head. Her long, oval-shaped ears are along the back sides of her head. Holes are drilled into the lobes. On her front, her breasts are carved in low relief. Her right arm is bent, with her hand resting below her left breast. Her left arm is parallel to her body, with her hand resting over her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief.

Carved wooden figure depicting a standing woman. Her head is shown in profile and is facing down. She has a long, oval-shaped face with pronounced eyebrows and lips, and a long, wide nose. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend into two buns, protruding from the back of her head. The figure’s body is flat and curves towards the left. Legs have a curved front and flat back. Feet are circular and have incised lines along the front edges, imitating toes. Her right arm is bent with her hand resting on her stomach. Her left arm is parallel to her body, with her hand resting near her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief. She has a white string knotted around her neck. Inscription on the centre of her back, reading "Soquel 1909."

Wooden painted mask of a ram. Thin, tapering face with O-shaped mouth, long ears and curling horns. Semi-circle design on top centre of head, painted a dark black-brown. Circle is decorated with diagonal and vertical incisions. Two columns of squares carved in low relief down centre of semi-circle. Two thin columns of rectangles, carved in low relief, run down centre of face, in between the eyes. Eyes are narrow and vertical, with raised edges. Done in white. Face is painted dark maroon. Horns are done in dark brown-black with the curled ends made of sheep horn, painted white. Ears of ram, hanging down between the face and horns, flare outwards from the face and are made of sheep horn, painted white. Two oval-shaped nostrils are above the mouth, with raised edges. Areas around eyes, mouth, nostrils and entirety of horns are painted dark brown-black and have incised decorations across them. Mask has small hole for mouth. The back rim of the mask is unpainted and has two holes along the top for ties.

Wooden mask of a ram. Thin, tapering face with O-shaped mouth, long ears and curling horns. Semi-circle design on top centre of head decorated with diagonal and vertical incisions. Two columns of squares carved in low relief down centre of semi-circle. Thin columns of rectangles, carved in low relief, run down centre of face, in between the eyes. Eyes are narrow and vertical, with raised edges, and painted white. Mask is dark brown-red and highly polished. Curled ends of horns are made of sheep horn, painted white. Ears of ram, hanging down between the face and horns, flare outwards from the face and are made of sheep horn, painted white. Two oval-shaped nostrils are above the mouth, with raised edges. Areas around eyes, mouth, nostrils and entirety of horns have incised decorations across them. Mask has small hole for mouth. The back rim of the mask is plain and has two holes along the top for ties.

Hunter's tunic (part a) with matching hat (part b). Tunic made of bright blue cloth. Rectangular black leather patches are attached all over, with long, thin strips of brown leather knotted to both sides, creating fringes. A few pieces are dyed red or green. White cowrie shells outline the neck, and are sewn in lines on the tunic. There is a five-sided pocket on the front, centre - with the three stitched edges lined in cowrie shells. The bottom edge is unfinished, and somewhat fringed from unravelling fabric. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has a circular mirror inset in leather between two curved horns at front, centre. A single row of cowrie shells lines the bottom edge.

Hunter's tunic (part a) with matching hat (part b). Tunic made of brown cloth. Rectangular black leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns and small mirrors inset in leather are attached over the tunic. The woven hat has three black leather patches with long, thin leather strips knotted on either side, evenly spaced on sides and back. At front, centre - there is a circular mirror inset in leather between two small horns. A single row of cowrie shells lines the bottom edge.

Hunter's tunic. Tunic made of dark brown cloth. Rectangular leather patches are attached all over, with long, thin strips of leather knotted to both sides, creating fringes. White cowrie shells outline the neck, and are sewn in lines on the tunic. Small horns, tufts of hair, and small mirrors inset in leather are attached all over the tunic.