Carved wooden mask, oval in shape with pointed ends. The face has an elongated forehead, an exaggerated brow, a protruding nose with stretched septum that holds a decorated plug. The mouth is small, open and protrudes slightly. The cheeks are incised with a spiral tattoo design while the top of the forehead is engraved with a triangular, geometric pattern. There are two boar tusks joined together with twine that runs through the nose and sits near the corners of the mouth. Small bands of small and large, disc shaped shells decorate each side. The mask is painted with dark orange pigment while the eyes are painted white with black sockets.

Intricately pyro-engraved gourd container with boar tusk stopper. The design wraps around the middle of the gourd with repeating designs of spiral patterns with ends that meet to create a 'v' or point. Above the v is a small circular design which connects to each spiral design. Between the designs are concentric circles. The designs are set in between horizontal bands. The lid is composed of coiled plant fibre wrapped with a small woven yellow and black checkerboard pattern around the exterior and a boar tusk inserted at centre.

Boar tusk armband, with small bulul figure (rice deity). The main armband section is made of curved boar tusks, with the ends attached together using rattan basketry strands, to form a circle. At one side of the band, a small male wooden figure is attached, using rattan strands threaded through holes in the base and around the legs. The figure is in a sitting position with his knees up. The figure has a round bundle of black and grey feathers projecting upward from his head. Tangkil boar’s tusk armlet (sometimes referred to as an upper arm bracelet or armband) with a small standing wooden “Bulul” figurine from Ifugao tribe in Northern Luzon, Philippines. Worn on upper arm by men. Made of boar’s tusk. Men wear a pair of these during ceremonies and rituals such as the begnas ritual for the rice production. This material is now considered an heirloom. Nowadays, this ornament is popularly reproduced and worn during cultural festivals.

Woven breast ornament shaped like an inverted triangle with a naturally coloured, braided cord extending from the top; rest of ornament is coloured with orange pigment. Eight boar tusks extend from either side of the ornament; first two are pointed up, rest are pointed down. Additional boar tusks are threaded through a loop in the front centre of the ornament, pointed down. Woven protrusions extend from either side of the ornament, below the fit set of tusks; protrusions are thin rectangles with rounded ends. An open oval-shaped protrusion is woven underneath the central boar tusks. Above the central boar tusks are two cowrie shells, attached horizontally; a line of vertical cowrie shells extends from below the woven oval to the bottom of the ornament. Loop attached to bottom edge; back is undecorated.