Rounded wooden shaft decorated with abalone shell inlay along the inner concave curve. Bone barb secured to shaft with a twisted fibre string.

Fish hook. Rounded wooden shaft decorated with abalone shell inlay along the inner concave curve. Has no leader. Barb secured to shaft with twisted flax.

Tanto style knife with an elaborately ornamented wooden sheath and handle. The knife handle has two inlaid abalone shell butterflies. The sheath has inlaid and raised floral and leaf designs of mother of pearl, ivory, and lacquer work. There is a small green seal.

Soul catcher made of a hollow tubular piece of bone with inlaid abalone. Each end of the tube flares slightly and is carved out in silhouette to represent the open mouth of a creature resembling a bear, wolf, or whale. Abalone shell is inlaid on one side of the faces at teeth, eyes, cheeks, ears and nostrils.

Ermine headdress attached to a wooden frontlet. Frontlet in painted in blue, red and black with a central figure of a humanoid face with protruding, hooked nose encircled by a red-lined ring of abalone. Two faces, one humanoid and mask-like, the other round and black with red lips, sit atop and below the main face. The eyes of all three faces are inlaid with abalone. The frontlet is attached to the front of a circular white fur cap, attached to a long train (90 cm) of white ermine pelts with brown tails sewn onto a length of white fabric backing. A vertical row of brown whiskers protrude from the cap directly behind the top of the frontlet.

Horn spoon with intricately carved handle; scoop is shallow and undecorated. Handle's decoration is a hollow animal with inlaid abalone eyes and an upward protrusion that has two more inlaid circles on it sides.

Child's wooden chest with eight drawers of varying size. The front of the drawers are decorated with different objects and figures including a bird, cat, horn, toy horse, parasol, fish, rabbit, bell, and lantern, each done in ivory, abalone, wood or other material. Each drawer has a small handle that folds in to lie flat against the surface. The chest is raised on four 1.2 cm legs and has a 2 cm handle on top made of darker wood. Note: part j (foot) is in bottom left-hand drawer.

Sculptural installation in the form of two very large lahal sticks. Each is installed vertically, and rotates on a central axis. The 'male' stick (part a) has a wide copper band around its centre, with the Royal Proclamation of 1763 acid-etched into it. The 'female' stick (part b) has 5 copper inlay hands, each with a year acid-etched into it. Both have carved hands protruding from the main post - one pair of hands extend palm-up in the lower area; 8 fisted hands extend out, around the post, above the central area; one hand points downward from the upper area. Both sticks also have two colour-stained, wood veneer bands at each end, with inlaid abalone figures between them. The 'male' stick has 2 crown and 2 jester hat shapes between the top bands, and 2 trees and fish between the bottom bands. The 'female' stick has 2 trees and fish between its top bands, and 3 pairs of sticks between the bottom bands.

Carved silver pin in the shape of a raven with inlaid abalone shell in the eye, wing, and tail. Clasp attachment on the back of the pin. There is also a silver loop attachment on the back to enable its use as a pendant.

Round, gold pendant (part a) on a gold chain (part b). The pendant has a three-dimensional design of an eagle face with blue abalone eyes, and is framed by flat pieces of abalone shell all the way around the outside of the face. The pendant came in a rectangular hand-made wooden box (part c) with a lid (d). The top of the lid has silver clasps for lifting, while the underside has silver hooks for displaying the pendant. There is also a purple velvet pillow (part e) inside the box for storing the pendant and a purple velvet bag (part f) that fits over the outside of the box.