Pair of abalone earrings. Each one is cut into a traditional Northwest Coast "copper" shape. Metal hanging elements for pierced ears.

Spoon with a carved handle. Small abalone inlays used for eyes and animal ears. The top human figure wears a hat with five potlatch rings; below is a bear with a frog in its mouth.

Large metal dagger formed from a single piece of steel, narrowing at one end to form the handgrip. Grip area is overlaid with copper sheeting on both sides. The finial of the dagger portrays the head of a wolf, with rounded snout and eyes, and U-shaped ears and nostrils. Abalone shell inlay is used for eyes and the four ovoid shapes of the copper overlay. The handle is wrapped with a hide strip. The long end of the strip has a loop for being held over a wrist or thumb.

Wooden song leader's staff or dance wand (wutsaagáa), cut into two pieces (parts a-b). At the bottom is a short, unpainted handle, otherwise the entire length is covered in carved figures depicting animals. Many abalone inlays have been used for eyes, and as decorative details on areas such as wings and fins. The figures are painted in red, black and light blue. The back is partially rounded/hollowed out. The two pieces have been attached by a long wooden peg, through a hole in each piece. (The peg now sits in the upper hole, visible at the back.)

Carved and painted wooden frontlet with abalone inlay all around the sides and as eyes in the three faces. Roughly circular in shape; main, central face is a bird with a large beak projecting outward. Above is a small three-dimensional head projecting outward; there is another small round face below the beak. Each figure's eyes are abalone disks. A flat rim surrounds the whole frontlet, inlaid with numerous abalone pieces in various shapes, primarily rectangular or rounded squares. Many of the inlays have holes drilled through both sides. Brown plastic wire is tied at the back through four of the side holes; there are six holes drilled through on each side. (There is an epoxy resin filled area at the back, from an old repair).

Gold brooch carved in the design of an eagle, with abalone inlays. Eagle’s head in profile facing right; twenty one pieces of inlay in head, wings and tail. The long pin with a clasp on the reverse extends diagonally from right to left wing. Artist inscription on back: Reid 70.

Carved and painted hardwood frontlet with abalone inlays around the sides and top. Main image is a raven with a large bird beak projecting outward. A small, three-dimensional whale sits at the top of the frontlet. Three small faces are carved along the bottom: a grizzly bear or wolf head is in the centre, with human-like faces at each side.

Carved wood frontlet with three dimensional raven. Backing board is rounded, rectangular in shape and pointed at top. Raven emerges from centre, with carved black and red wings at its sides, knees bent up, face to front with curved beak and abalone eyes under squared ears. Raven figure is surrounded by two rows of abalone inlay. Back is concave, with a forehead piece. Signed on back: "Raven Henry V Robertson Kemano, B.C."

Carved wooden figure in form of a killer whale with abalone inlays. Tail curled upward, reaching the fin. Artist's initials on underside.

Carved wooden figure in form of a dragonfly with abalone inlays. Female like body, wings attached to the arms outspread to sides. Tail curled toward back between legs. Artist's initials at back centre.