Carved oval shaped, argillite pendant with abalone inlay. Design features a shark on front with abalone eyes. Plain border. Carved fin and artist's inscription on back. There is a small hole at top centre.

Thin, carved brooch in the form of a diving killer whale, with seventeen small abalone inlays throughout the design. A human face in profile is carved in the dorsal fin. There is a vertical metal pin clasp on reverse. Brownish resin fills in the concave back, and holds the pin in place.

Small basketry rattle with a ball shaped head, made of woven basketry, with a wooden handle. Flicker feathers added for decoration, along with a round abalone inlay on the handle.

Carved wooden figure in form of a skate fish with many round abalone inlays. May also hang as a pendant with a cord through the curved tail.

A killer whale tooth carving in form of a dogfish (part a) with an round stand (part b). Dogfish carved vertically with head down and upward curled tail. Small oval hole on tail. Dogfish decorated with round abalone inlays. Metal peg on base centre top fits a hole on lower edge of the carving. Artist's inscription underside part a.

Gold brooch of a killer whale. Head is large, body relatively small, with a large front flipper and tail flukes. Dorsal fin angles slightly back. Abalone inlays are used for teeth, large eye, a strip down the back, and ovoids on each fin and tail. The back has a brooch pin running from the nose to the fin. HAIDA ART / Reid inscription on back.

Abalone shell with exterior covered by basketry, conforming closely to its contours and secured over shell edges. Decorated with a dark blue rectangular ovoid at centre, two canoes and flying bird shapes in green or brown, and mouse-like animals in pinkish-red or brown arranged around central area. Around the edge are concentric stripes of yellow, red and brown.

Rectangular carved frontlet with Thunderbird or other bird-being in relief; abalone inlay along both sides and across top, and used for accents on animal features. The bird has a recurved beak going into lower lip. Below the face are red human-like arms and hands with palms out, fingers upward, with abalone on each palm. The bird's mouth is open, showing a row of abalone teeth behind wooden incisors and red painted lips. The eyes are circles of abalone, under arched black brows. This supernatural being shares space with a small orca, whose dorsal fin rises upward and pectoral fins downward. Painted red, green-blue, and black. The rear of the frontlet is concave. Illegible hand writing on back surface.

Rectangular felt pouch (part a). Red stitching covers the outer edges of the pouch flap and body. On the back is embroidered a red hummingbird design with an abalone button for the eye. An abalone button is also used at the front for closing. Inside the pouch is a white woven bag (part b) with a red fabric underlay (part c).

Rectangular carved bird-like being frontlet bordered by a row of individually carved and painted human faces (representing ancestors). Central figure is a bird-like being by a long, recurved beak and human-like eyes, eyebrows, and mouth. Being has wings, sitting with claws inward. The eyes are circles of abalone under arched black brows. Two abalone inlays on each wing. The rear of the frontlet is concave. Painted red, green-blue and black, on natural wood.