Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.

Bequest of Miss Mary Forbush Failing.

Carved wooden club. Weapon is thin with tapering edges and a smooth finish. Head is kidney shaped, with a wide top and a sharply indented curve above a protruding carved figure of a human/bird amalgamation in a sitting position. Figure’s head is large and round, with deeply inset eyes, and a large sharp beak from which emerges a tongue that curves down to make contact with the figure's chest. Arms are bent, hands resting on stomach. Legs are bent at the knees and feet dangle. The handle of the club is short and narrow, culminating in a pommel carved into two circles, one with inset beads of abalone shell on each side at centre, the other with a hole through which is tied a small thong of leather.

Black and red button blanket with a large downward facing frog design in the centre. The frog's eyes are small circles of abalone shell. Three full rows of shell buttons demarcate the central black area. There are eight repeating positive/negative designs along the side borders (four each side). There is a rectangular cut out area at the neck. Each bottom corner on the reverse has one of the maker's initials embroidered onto the fabric (D.G. at one corner, R.D. on the other).

Bentwood box made of yellow cedar, with separate lid (part b). Box is deeply carved with images of birds on two sides, decorated with inlaid circles and ovals of abalone shell for eyes and feather decoration. Into one side of the box is carved a wolf, painted black, with 8 shell operculua creating an even row of teeth in the open mouth. Abalone shell is used for the eye and other decoraton. A flower with foliage is carved beside the wolf. The fourth side is carved into repeating triangular and oval motifs, with black and rust paint accents. The lid (part b) is raised on one side, with 18 shell opercula in 6 rows of 3 shells decorating the high edge. Edges are painted black, while the top is coloured rust. Lid has an inset lip at bottom.

Violin (part a) and bow (part b). Violin has a scroll, four pegs, and an unmarked fingerboard with two strings remaining and attached to the tailpiece, one metal and one catgut. Tailpeice is fixed to the instrument by wire wrapped around a wood peg on the bottom of the body, and no bridge remains. Chinrest is small and made of painted but unvarnished wood, attached by two metal pins that wrap around to the back of the body. Violin is coloured rich red-brown and yellow-brown with a high-shine lacquer. Bow stick and tip are made of a single piece of dark brown wood, with a two-tone metal endscrew. Bow frog is made of ebony with a small inset circle of abalone shell on either side for decoration. (No bow hair remains attached.)

Painted and carved mask. Top edge has six rounded squares made of abalone and copper. Eyebrows made of copper with white and black outlines. Eyes are round mirrors ringed with copper, and red, white and black outlines. White and red detailing under each eye. Sunken green ovals surround both eyes and connect over bridge of nose. Sharp nose flares at bottom with open nostrils. Green, white and red on bridge, with black, white and red on nostrils. Cheeks are decorated with red ovals outlined by green, white and black bands of various thicknesses. Upper cheeks have more elaborate rectangles. Red mouth is wide open with curved black line around top lip. Green dashes run around mouth and chin. Black fabric hangs off back of mask, over elastic bands.

Lip plug, or labret, inlaid with haliotis shell on both sides. On one side is a design which resembles two four fingered hands. On the other side is a sunburst type of design.; Good

Lip plug, or labret, inlaid with haliotis shell on one side in a sunburst type of design.; Good

Catalogue card description, Coloured mask with moveable eyes and elaborately carved stick. The mask has inlaid moveable eyes, and an articulated jaw, red lips and haliotis shell inlaid teeth. The eyebrows are prominent and painted black. The nose is fine with slightly accentuated nostrils which are painted red. Through the centre of the forehead a ridge rises to the edge of the mask. The mask has face-painting designs consisting of blue and red double U- forms across the cheeks on the chin. The catalogue card has been updated with notes on the state of the mask, the wood of the nose and lips are splitting, one eye inlay is missing, a gash on right cheek, and there is no sign of the elaborately carved stick.; Good