Large stone carving of a mother and child, on an irregularly-shaped base. Mother has oval-shaped eyes, rounded cheeks, wide nose, and pursed lips; all done in relief. Ears are flush against head, and hair is pulled into an intricate braid that wraps around the back of her head. She is bent over a pot, resting on top of a ring of stones, and holding a seal skin. Woman is wearing a long parka, with flaps along the front and back, and pants tucked into tall boots. Parka has a large pouch on back that child is sitting in. Baby has oval-shaped eyes, wide nose, flat mouth, and is wearing a hooded jacket. Date made, syllabics, and additional numbers carved across base of carving; 'Eskimo art' tag and green pads adhered to base.

Small lidded pot with burnished finish. Pot (part a) has a wide mouth, and sloped and rounded shoulder that narrows to a small flat base. Artist signature, date made, and title incised on base. Large circular lid (part b) is decorated across exterior surface with formline motifs, done in relief. Centre of design consists of a face with wide eyes, straight brows, large nose, and an open mouth with the tongue sticking out; markings on forehead and cheeks. Face is surrounded by a wide band, with protruding split U-shapes that extend to edge of lid. Lid has a long lip that curves downward; flange closer to centre of interior. Exterior surfaces of pot and lid range in colour from off-white to black; speckling throughout. Interiors are smooth and somewhat rough in texture; coloured light grey.

Off-white clay bowl with black painted design across interior. Central design is of large figure with very long phallus, being held up by three smaller figures. Large figure has their long hands held upright, with the palms up. They have spiked hair, small bun on the back of their head, diagonal line across cheek, and are wearing a checked collar. The smaller figures have braided(?) hair and protruding phalluses. Interior edge of bowl trimmed with five linear bands; outer bands are thicker than inner. Patterns stamped and done in relief across exterior sides of bowl. From top to bottom: swirls with human and animal motifs throughout, raised line, repeating words "OUR HISTORY", inverted stepped triangles, abstract diamonds inside ovals, alternating feathers and groupings of vertical lines, potted flowers, abstract linear motifs, and circles. Artist inscription, done in black, on base: artist mark. Judy Chartrand. Ancient Mimbres. circa: 1100 AD. "WAKUSOYO". Tewa language.

Small lathe-turned wooden bowl (part a) with a fitted lid (part b). Two rectangular panels are carved along exterior sides of bowl with formline designs that mirror one another; designs consist of ovoids with eyes and with teeth, and circles with small tapering triangles extending from the bottom edges. The ovoids with the teeth design are along the bottom edges of the panels with the circle designs above them. Small trigon and crescent cutouts along top and bottom edges of panels, toward centres. Panels and carvings done in mix of relief and raised styles. Interior of bowl is undecorated; small ledge for lid to rest on. Lid has a raised circular knob; short flange extends from bottom. Base of bowl has artist signature in pencil: "83 Cranmer".

Bentwood box (part a) with red painted corners and lid (part b). The box is lashed and sewn together with root along the seam. There is a notch cutout of the centre of the front panel. The lid has a carved geometric design on the top painted with red details and red corners that line up with the red corners of the box. There is a small x-shaped cut centred along the edge on the underside. Price penciled on interior with small adhesive price label overtop.

Replica house front boards, painted in red and black; reconstruction of image from a Tsimshian house screen board in the MOA collection.

Replica house front boards, painted in red and black; reconstruction of images from a section of a Tsimshian house screen in the MOA collection. Image shows the pair of boards mounted together (DC5.1 and DC5.2).

Small ceramic wine jug (part a) with a handle on one side, and a stopper-style lid (part b). Jug has a circular opening with edges that curl inward slightly; spout with similarly curled edges protrudes from front of opening. Opening extends into a long slanted shoulder and a round body; body tapers slightly to circular base. Handle has an irregular rectangle-shape; top exterior corner has a sharp point. Glaze of jug is dark brown with large sections of dark blue; glaze lightens to green-grey around the opening and along exterior of handle. Lid has a small knob that tapers sharply to the circular lid; stopper is cylindrical and flares at the base. Knob is dark blue and rest of lid is dark brown; bottom edge of stopper is unglazed. Engraved into base: "Vernon B.C."

Flesher (part a) made of cut bone with hide tie around handle end, and separate leather cover (part b) for pointed end. The bone has been cut on an angle with a serrated end.

Short knife consisting of a stone biface blade with antler handle. Blade is triangular with a rounded point; tang inserted in between two pieces of antler. Antler pieces have flat interiors, with carved notches where tang fits, and rounded exteriors; making handle cylindrical. Pieces of handle are attached with metal rivets and sinew lashing.