Serigraph print with Maori and Musqueam design elements. The circular abstract pattern of a Salish spindle whorl is presented in black, red, white and light brown. Written in pencil outside the lower edge of the design are the print number (96/99), title and signature of all three artists.

Black and white photograph taken at UBC carving shed during the Haida House Project, 1961. Frontal 3/4 angle view of carver Bill Reid, crouched on top of wood making a cut in what eventually became his Wasgo carving (A50029). Signed on reverse.

Three-dimensional wolf head pendant carved from yew on a leather chain. Pendant has inlaid abalone squares around outside edge, and ovals as eyes and inlaid pieces around outer ear edges. Features around lips, inner ears and negative space of pendant are painted red. Copper cut-outs used as eyebrows, sides of nose, tongue, inner ears and claws of front feet. There are also very small circles of copper inlaid between the abalone along the edge. A fine braided leather chain with a gold clasp is attached through a gold fixture on the back of the pendant. Back has seven small holes, six of which contain copper rivets; artist signature Reid-'77.

Glazed white clay mug without handle has Dragonfly design (#37) painted in black and turquoise. Made at Lambert Potteries.

Bevel-edge chisel with blue plastic handle. Handle has maker's name 'Marples'. Blade has engraved information, 'HAND FORGED 1/3 mm 1/2" SHEFFIELD ENGLAND'. Part b is a small grey plastic edge guard for the tip of the blade. Marked with maker's name,'marples england' on one side and measurements on the other side.

Large glazed white clay mug with Lightning Snake design (#38) painted in black and turquoise. Made at Lambert Potteries.

Large glazed white clay pitcher with Raven design (#11) painted in black and pink. Made at Lambert Potteries.

Large glazed white clay mug with Raven design (#11) painted in black and pink. Made at Lambert Potteries.

Large glazed white clay mug with Raven design (#12) painted in black and pink. Made at Lambert Potteries.

Mandala painting on primed, stretched canvas. Canvas is strung onto small painted wooden rods which are bound with purple cord to a varnished wood frame and mounted onto a white background within a gold coloured metal frame. The concentric diagram of outer circle, inner square, and centre circle created with mineral based shades of blue, gold, green, red, ochre, yellow and black. A pink and white flower fills the centre circle.