Off-white clay bowl with black painted design across interior. Central design is of large figure with very long phallus, being held up by three smaller figures. Large figure has their long hands held upright, with the palms up. They have spiked hair, small bun on the back of their head, diagonal line across cheek, and are wearing a checked collar. The smaller figures have braided(?) hair and protruding phalluses. Interior edge of bowl trimmed with five linear bands; outer bands are thicker than inner. Patterns stamped and done in relief across exterior sides of bowl. From top to bottom: swirls with human and animal motifs throughout, raised line, repeating words "OUR HISTORY", inverted stepped triangles, abstract diamonds inside ovals, alternating feathers and groupings of vertical lines, potted flowers, abstract linear motifs, and circles. Artist inscription, done in black, on base: artist mark. Judy Chartrand. Ancient Mimbres. circa: 1100 AD. "WAKUSOYO". Tewa language.

Replica house front boards, painted in red and black; reconstruction of image from a Tsimshian house screen board in the MOA collection.

Replica house front boards, painted in red and black; reconstruction of images from a section of a Tsimshian house screen in the MOA collection. Image shows the pair of boards mounted together (DC5.1 and DC5.2).

Pencil drawing of an angled ovoid with U-shapes extending from the top right and bottom left. Ovoid has a central being design, consisting of formline design elements; done with solid shading, linear hatching, and cross-hatching. Top U-shape has a crouched human figure in it; figure is made up of formline design elements. Bottom U-shape has a fineline split, and horizontal oval design; done with solid shading, and linear hatching. Artist dedication, Dedication Piece To Thelma Cooke, title, and artist mark written in pencil along bottom edge of drawing. Paper is oval-shaped and has rough edges; attached to grey board.

String puppet. Puppet carved from a section of bamboo with three stacked faces carved in the upper half and a notch cut out of the top. The puppet is lightly carved with the designs painted in blue, red, teal and black. The top face has eyes that are underlined in red, a red down-turned mouth, black steeply angled eyebrows and a moustache and split chin beard. The second face has solid black angled eyebrows with blue lines above them, red outlined eyes, and a mouth with two incisors and two long fangs. The third and bottom face, has red outlined eyes with bright blue mask around the eyes, small black moustache, wide red lips with teeth showing, and three different designs of concentric circles along the jaw alternating between blue and black. Each figure has movable limbs, which are controlled by strings inserted into three holes on each side and have circular cross-sections of bamboo attached to the ends of each pair of strings at the bottom. The top two sets of limbs are longest with three cylindrical bamboo grass beads and long blade-like structures at the ends. The lowest set has two cylindrical bamboo beads and a circular cross-section of bamboo at the end. The carved designs extend into the lower portion of the bamboo and has two concentric hearts at centre. The back is carved with artist's signature(?).

Small round off-white dish painted with black and green design elements. Inside of dish has design of a bird-like creature holding a fish in its claw. The upper creature has a fin on its head and a wing and tail. Both have black outlines with black and green elements. Black circle painted in the centre; black and green painted around the top of rim, with seven sets of three unpainted lines. The base has the Lambert Potteries stamp and a hand-written inscription: Salish Spindle Whorl / Hand-painted / T.

Multi-piece ceramic sculpture of a black ship hull with a crushed can, twisted product tube, log, and pitted sphere bolted onto it (part a). The can and product tube are black; tube has a red cap. The log is grey and dark brown, and covered with a small black blanket; olive green sphere, representing COVID-19, is perched on top of blanket. Additional components rest on the hull and sit around it; additional pieces are: small, crushed olive green can (part b), small, crushed black can (part c), grey pitted COVID-19 sphere (part d), and a dark brown flower with a wilted stem (part e). Ship hull, cans, and green sphere are glazed; rest of sculpture is painted.

Small jar (part a) with a lid (part b). The jar's form is somewhat hourglass-shaped, with more proportional upper and lower sections, with concave midsection. The lower section has a slight taper in to the base. In the upper section, there are three flattened areas marked with rows of texture. The rim is brown, just below the lip. The interior of the jar and underside of the lid are a light grey-blue. The lid is flat, circular and has a flange to fit within opening of the jar.

Lidded teapot with bamboo handle. The seven-sided teapot has a light grey with black glaze. The rim is unglazed and dark red-brown. The curved handle is attached by a small loop behind the spout, and another on the opposite side of mouth. Each end of the handle is folded back upon itself and secured with a small braided band. The recessed lid has a small knob handle.

Tall round bowl with a black glaze, heavily speckled with olive green, and with a dark red-brown lip. The interior is a concave bowl. The base has several adhesive labels attached.