Jar with slightly rough brown-green glaze that stops just before the foot, rounded sides with vertical,elongated, indented areas emerging from the neck and base. The jar has a short foot and neck, with a slight lip at the mouth.

Box made of clay with base (a) and lid (b) that both have ten side panels. Both the lid and the base are glazed with dark grey and blue-grey triangular and leaf patterns bordered by lines on a light blue-grey ground. There is a small peak at the centre of the lid. The glaze is iron-speckled; the foot rim and base are unglazed, and there is a pontil mark on base; the box is glazed inside, and the lid is not. Junctions of panels marked by double lines in underglaze iron black.

Jar with light green-brown glaze, mouth with slightly upturned lip, slightly sloping shoulders, two small lugs (handles) opposite each other at the mouth, and a base that flares outwards. Squat form, short neck, small mouth, two small lugs. Main portion of vessel is slipped in light yellow-white, which is visible at the base, and then coated in a thin light grey-green glaze, which is transparent at the mouth rim and on the lugs showing the medium grey body.

Stoneware bowl (chām; ชามl) with slip and painted decoration under the glaze. The sides curve up from the foot, flaring sharply to an everted lip; foot and base unglazed; body, coarse medium grey stoneware. Exterior: broad band of painted white slip, stamped with two rows of small sunburst motifs in blue, enclosed top and bottom with two broad bands of plain white slip. Interior: one broad band of plain white slip, surrounded by a band stamped with one row of stylized sunburst motifs, encloses plain centre at bottom; walls are the same as the exterior, except for triple bands of plain slip below the lip. The bottom surface of the interior exposes grey body between slipped bands.

Black leather stylized representation of a figure in a dramatic dance pose, one leg stands on a snake-like creature while the other is raised to the waist. One arm holds a bow and the other an arrow over a tall tiered crown. The figure and the surrounding halo is cut out with an overall pattern to give a lace-like effect.

Large tubular sarong, The plain weave top with white band is hand sewn to plain red band and this is stitched to large dark blue and black striped base section with mock weaving in dark green thin horizontal x'd and o'd bands. Each end has band of red with white, orange and green designs in alternating pattern also mock embroidery. Next largest piece is black plain weave cloth covered entirely with zigzag lines of predominantly red, with light brown lines in between lines. The bottom has brown mock weave embroidery in zigzag horizontal thin bands; white and red vertical embroidery. The top edge has red and yellow wefts in horizontal lines on a white band with a frayed cut edge. The bottom edge is selvedge.

Bronze Buddha head with traces of gilt, attached to wooden base. Tall flame shaped finial on top of head covered with small curls of hair; oval face; arched eyebrows; straight nose; closed full lips; and elongated ears with vertical indentations in middle of ear lobes.

Gold Buddha figure with pointed headdress seated cross legged on a green lotus, sitting on a brown pedestal. The right hand is flat on lap with palm upturned, left hand and arm extends over legs. Incised curvilinear decoration on sides of pedestal base; figure has elongated earlobes.

Buddha seated cross-legged on a small half-moon base. High pointed topknot and elongated earlobes. Hand on left is draped over knee. Hand on right rests palm upward in lap. Clay core; light blue-green patina on base.

Buddha seated cross-legged on lotus base. Hand on right rests, palm upwards on lap. Hand on left rests on knee. Hair done showing ushnisha. Robe draped from shoulder at right; other shoulder bare. Rough casting.