Tall standing figure of a man. Left hand falls to his side, right holds a tall decorated staff. Around his waist is painted a loin cloth reaching mid-shin front and back. Several painted necklaces encircle his throat, as does a plant fibre cord holding a clam shell ornament. The man wears a mask heavily painted in a tan base colour topped with arrows and swirls in orange and dark grey. A tall headdress sits atop his head, carved to look like feathers at the sides and long curving horns at front. The figure stands on a small round base.

Wood carving of a man, woman and crocodile. A woman in an elaborately painted mask sits with knees raised, hands on stomach. The head of a child emerges from her vagina. A man stands behind her with hands on her arms. He too wears a mask, and has elaborate decorations carved into his chest. A crocodile balances on his head, its tail falling down his back. The crocodile’s chin rests on a white ball balanced on the woman’s head. Both man and woman have ear and nose embellishments made of twisted grass. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the name “Lucas Tangun” carved into the side, as well as several grey footprints painted on it.

Carved wood ancestor mask consisting of a head with an elongated brow; a long nose, mouth. The top of the head is decorated with cassowary feathers and two rows of cowrie shells. The forehead, sides and chin of the face are painted with black pigment and are inlaid with rows of numerous small shells. The face is decorated with white and black detailing on a brown ground. There is a long, cylindrical shaped piece of wood that stretches from the bottom of the nose to the bottom of the mask that makes up the body of a crocodile; on the end is the reptiles head which faces downwards. The lower sides and bottom are lined with small bundles of sennit fibre.