A wide white rounded circular shell piece that curls around, creating a bracelet-like effect. The outside of the inner end has brown spots.

Yam mask made of tightly woven plant fibre around a stick frame with a large crest edged with feathers, a long, narrow, circular ridge as a nose, large bulbous eyes, and a small protruding oval mouth and tongue. The face of the mask is mostly an ochre red, while the lower portion around the mouth is black at the bottom with tan areas from the lower outside edge to the black. The nose is a tall ridge along the entire face down to the mouth, mostly red but with white along the edge and black in line with the face. The eyes are large white woven balls which protrude from either side of the nose ridge, with tan irises and small holes in the centre. The crest is roughly triangular with rounded edges rising to a point above the face, edged with soft white feathers with brown tips. The crest begins at the top of the face with a black triangle, outlined by widening stripes to create the shape of the crest. These stripes are: tan, then a red stripe made up of loops of basketry to create a fence-like appearance, then a white stripe, then a black stripe made of loops of basketry, and then a final tan stripe along the edge. The edge of the woven crest is tied with string to a stick that goes around the edge, the feathers are attached to the stick. The back and inside of the mask are unpainted plant fibre.

Carved black wooden yipwon (hook figure). Downward pointed hook containing the form of a human figure in profile. The figure's face is carved underneath the uppermost hook. The face is elongated with a furrowed brow, sharp cheekbones and chin. The eyes are closed and the mouth is small with a defined lower lip. The body of the figure consists of four opposed hooks encircling a central diamond shaped protrusion. The back of the hook is slightly curved, ends with one human leg with a striped knee and a small foot. The surface of the wood has been blackened.

Turtle shell and basketry face mask. The dark red clay(?) face is built on the rounded outside of a turtle shell and surrounded by a thick basketry edge with a woven loop at the top for hanging. The mask has short, curly, dark brown hair attached along the top of the forehead. The face is painted with a black pigment with horizontal stripes and rows of triangles. The narrow pointed nose, mouth, and ears are prominently built-out with clay, and detailed. The mouth is painted black with a red slit down the centre of the bottom lip. The ears are pierced with a hole at the top, outer, and bottom edges. The eyes are inlaid cowrie shells with built out eye sockets and horizontal black stripes underneath. The edge of the face is outlined with face down cowrie shells. The forehead has another row of smaller shells inside the cowrie shells. A trio of the same small shells is inlaid into each cheek in a triangle shape. The back of the mask is the inside of the bare turtle shell, stained black with holes along the edge where the basketry is attached.

Plastic doll standing with hands at sides. The doll has dark brown skin with curly synthetic black hair and brown eyes that open and close. The doll has a headband with three rows of small grey shells and an open weave head covering the hair. They carry a loosely woven bilum bag with pieces of wood(?) inserted horizontally throughout that hangs from a strap strung over the head. On the arms are dark brown woven arms bands and around the waist a thin woven band. The doll has a bark apron, covered by strings of small grey seeds that are twisted from the neck around the shoulders and then back around the waist multiple times. On the calves are mismatched woven leg bands.

Plastic doll standing with hands at sides. The doll has dark brown skin with synthetic black hair and brown eyes that open and close; it has a headband with three rows of small grey shells and a headdress with three tiered layers of plant fibre - in red, purple and natural (front to back, small to large). There are lengths of bark woven into the hair. The doll has a loosely woven cloak with horizontal pieces of wood(?) inserted throughout, with a bark cloth cloak layered overtop; also dark brown woven arm and leg bands, a chest band, and a skirt of twisted fibre over a red loin cloth. The doll wears strings of small grey seeds twisted from the neck around the shoulders and then back around the waist.

Intricately pyro-engraved gourd container with boar tusk stopper. The design wraps around the middle of the gourd with repeating designs of spiral patterns with ends that meet to create a 'v' or point. Above the v is a small circular design which connects to each spiral design. Between the designs are concentric circles. The designs are set in between horizontal bands. The lid is composed of coiled plant fibre wrapped with a small woven yellow and black checkerboard pattern around the exterior and a boar tusk inserted at centre.

Adze sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Adze has a long cylindrical shaft with an acute-angled haft at the end. Smooth stone, wedge-shaped blade inserted into notch at end of haft; secured in notch with three bands of braided rattan and resin(?). Adze is undecorated. Blue card inserted into bag, behind adze, with images of person using an adze, and one of an adze by itself; paragraph of text describes materials, and how it was made.

Bow with three arrows sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Bow is wrapped with plant fibre and its string is made of the same material; arrows are attached to string and side of bow with plant fibre ties. Arrows have bamboo shafts, long wood tips, and pigment decorations along the tips; small feathers attached around bottoms of tips. Orange card inserted into bag, behind bow and arrows, with images of people using them; paragraph of text describes materials, decoration, and uses of bows and arrows.

Hand drum sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Drum is hour-glass shaped; bottom is open and top is covered with lizard skin, secured with plant fibre tie and resin(?). Rectangular handle protrudes from centre of drum; wide arch extends from other side, for resting drum against leg. Drum is undecorated. Light blue card inserted into bag, behind drum, with image of person playing drum and one of the drum itself; paragraph of text describes maker, materials, and construction techniques.