Sago peg with carved, painted head. Peg is split from its tapered bottom to midpoint, where it is wrapped with a wide band of woven rattan as well as two thin rings also of woven rattan. Its top is painted a dark brown with areas of lacquering, and carved into the heads of a human and a bird. Two faces each span two facets of the diamond-shaped human head, featuring protruding eyes and brows, and protruding lips in an undercut chin. Above is the bird’s head, sitting atop a long curved neck with parted beak dropping toward the forehead of one of the human faces. Small wings are blunt and partially unfurled.

Ceremonial yam mask. Object is made of tightly woven plant fibre covered in thick paint. A wide lower rim takes an oblong shape, topped by a tall circular body in the shape of an eye with brown pupil surrounded by rings of rust-orange, white and dark yellow. The eye is edged by a thin, stiff spine. Interior of object is unpainted.

Woven string bag (bilum). Bilum is wide and curved at the base, narrowing toward mouth where a thin handle is attached at each side. The bag is dyed in horizontal strips of pink, light tan and brown. At centre on both sides are undulating lines in dark pink interspersed with checks. Back of bag has large areas in a medium brown colour that interrupt the horizontal patterning.

Yam basket mask. Mask is constructed of basketry in thin strips of rattan wrapped around a frame of thicker rattan pieces. Headdress is spade-shaped, with alternating areas of open and closed basketry in black, dark yellow, rust red and white paint applied heavily onto the surface. Under a densely painted and coloured forehead are two round eyes covered in white. Open spaces fall away below, with a long slightly raised nose between, two nostrils at bottom, and to the sides an outline of a face with chin. This is covered in a rust coloured paint. The back of the piece is undecorated.

Tall carved and painted board, with some areas cut-out. Large white face at top has crescent-shaped eyes, a small open mouth showing even white teeth, and a protruding nose that attaches to the board's upper-midpoint. Below the face are carvings of birds, lizards, faces, and swirling motifs in white, orange, rust-red and yellow. Base of object is rounded with a large pointed protrusion at bottom centre. Back of piece is unpainted.

Tall, freestanding sculpture carved of wood. A female wearing a white mask embellished with painted lines and crescent motifs holds an axe aloft in her right hand. She wears a shell and sago fibre necklace around her neck, and a short sago skirt at her waist. Atop her head is a large sea bird painted in shades of light brown, with wings stretched up and out, beak and talons grasping a fish attached to the woman's forehead. The woman sits on the shoulders of a male figure, painted dark brown, who grasps her legs, wearing a large crocodile mask and a feathered loin cloth around his waist. He stands on a small round base carved as a turtle. The eyes of all the figures are shell.

Body adornment (karawut) woven of bark and fibre. The object is coloured with ochre, charcoal and lime, and takes a basic human shape with head at top, protruding nose running down the length of the face, large open eyes, and open mouth below nose. At bottom are two thin legs with dangling cowrie shells as feet. The chest is thickly padded. Lines of cowrie shells are sewn onto the torso and upper legs, and boar tusks, two per side, are attached along the midpoint edges. At back, a short loop of fibre is attached at mid-upper shoulder.

Tall standing figure of a man. Left hand falls to his side, right holds a tall decorated staff. Around his waist is painted a loin cloth reaching mid-shin front and back. Several painted necklaces encircle his throat, as does a plant fibre cord holding a clam shell ornament. The man wears a mask heavily painted in a tan base colour topped with arrows and swirls in orange and dark grey. A tall headdress sits atop his head, carved to look like feathers at the sides and long curving horns at front. The figure stands on a small round base.

Wood carving of a man with drum, snake and bird. Man wearing a mask with prominent teeth and a shell headdress stands in a dance position, holding a kundu drum with handle in one hand and playing it with the other. A burlap skirt sits at his waist, and his ankles and wrists are decorated with loops of twisted rope. His left foot balances on the head of a large snake, its tail extending up past his shoulders and spanning the back of a large white and black eagle that stands on the man’s head. The eagle’s wings are slightly spread and it looks to the left with beak slightly open. The eyes of all figures are made of shell. The base of the sculpture is rounded, with the signature “Sebbie Dumoi” painted in white.

Wooden carving of three masked figures. A man stands in back with a large concave vessel balanced on his head. The vessel is light brown, with scalloped edges and a face carved and painted at top. Two women stand in front of the man, both carrying bags in one hand and decorative objects in the other. They wear elaborate headdresses that fall down their backs and are covered with shells carved into the wood. All figures wear similar skirts painted orange, yellow and brown, belted at the waist, and white cords crossing their chests. The masks they wear are densely painted in orange, yellow and brown on a white base. All figures have eyes made of shell. The base is rounded and entirely carved and painted.