Stonecut print of four people dragging three seals into a tent. Figures are all wearing hooded parkas, trimmed with fur, and tall boots. Figure in front centre is bent over and holding a rope, attached to a seal, and figure on left is holding an ulu knife. Tent consists of dark yellow and black sealskins stitched together; circle of black rocks around base. Two lines extend from either side of tent, supported by central poles of tent and separate ones staked into ground outside. Dark red skins are hung over the lines and poles; harpoons lean against the side of the tent. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in bottom right corner.

Stonecut print of a camp. Scene consists of four igloos with eight figures and two dogs. There are three igloos in the background and one in the foreground; back igloos are in a row, front igloo in centre. The igloo on the left side of the print has walls extending outward and connecting it to the igloo in the foreground. All of the figures are wearing hooded parkas, mittens and tall boots. Four figures are in the background, on top of and behind the igloos, holding tools. One figure is sitting, hunched over, in the entrance to the igloo on the left. Another figure is on their knees, holding a fish, in the entrance to the igloo in the foreground. In between the two sitting figures is a dog. On the right side of the print a woman is standing, with a baby strapped to her back, and holding a pole with three fish speared on it. The second dog is standing on its hind legs, next to the woman, attempting to eat the fish. There is a sled in the upper right corner of the print, behind an igloo; hunting equipment in the bottom left corner. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative Symbol stamped in upper right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.

Dog whip made of sea mammal hide, with a wooden handle. The handle has a notch around the bottom with a strip of skin threaded through, and secured at the other end through a hole. The top of the handle is a combination of skin tied together, and being wrapped. On one side, there is a large rounded notch. From the handle, the whip is composed of many layers of skin that are stitched together, with the whip becoming increasingly thinner as it progresses towards the tip. The skin is knotted close to the tip.

Lithograph print on rectangular, off-white paper. Close up design of avataq, sealskin float, in portrait orientation. Float done in light yellow. Front flippers have jagged black line across them, depicting fur, and claws. Long tie, done in light yellow, looped around back flippers. Tie disappears under body and appears again on right side of float, curled in a circle. Majority of body covered in black abstract, curved triangle designs. Bright red syllabics overtop of embossed bird-like figure, in bottom right corner. Syllabics handwritten in pencil overtop of embossed symbol of the West Baffin Eskimo Co-Operative, in bottom left corner. Beneath avataq design is the title, print type, edition number, 10/50, year and artist signature. All handwritten in pencil. “08-2” handwritten in pencil on back of print, in bottom left corner. Faint imprint of words, and an infinity symbol, on back of print, in bottom right corner.

Simple stone carving of a kneeling figure with her hands held together in front of the body. The body is quite large in comparison to the figure's head. The hair is parted and braided in two braids that extend down the back of the neck.

Rectangular pastel drawing of two men engaged in the mouth pull game. The men are in the foreground, along the bottom edge of the paper. Both are coloured a light pink, have black hair and their eyes are closed. The man on the left side has short hair and the man on the right has long hair. Both are visible from the shoulders up and their shoulders are bare. The man on the right is facing the right side of the paper and the man on the left is facing the left side. The man on the right has his right arm wrapped around the shoulders of the man on the left, with one finger in his mouth. The man on the left is doing the same with his left arm and has a finger in the man on the right side's mouth. Above, and behind, the men is an upside down black-outlined semi-circle. The interior of it is coloured in light yellow and dark orange. Above the semi-circle is a black and white inukshuk with shades of dark brown. The background around the inukshuk is light blue and fades to a grey-blue. Above the inukshuk there are two harpoons with yellow blades and dark brown handles. The harpoons face inwards towards a dark brown, oval-shaped tool. The tool has a hole in the centre and two holes on the top and bottom with white strings(?) coming out of them. In the bottom centre of the print, in the space between the two men, the artist signature is written in pencil.

Small carving of a walrus, out of walrus tusk. The walrus has its fore flippers tucked on each side, hind flippers are tucked forward, and its head is turned to its right. The walrus has two long, pointed tusks.

Small carving of a seal out of walrus tusk. The seal is on its stomach, on fore flippers, with head raised. The hind tail is straight back. The seal's eyes and nostrils are coloured black.

Small carving of a walrus, out of walrus tusk. The walrus has its fore flippers tucked on each side, hind flippers are tucked forward, and its head is turned to its left. The walrus has two long, pointed tusks.