A small stone lamp with a very shallow dish shape.

Translucent brown-gold scoop-shaped ladle with a wide front tapering towards the back. A tab-like handle protrudes from the back, bent at a sharp, upward angle.

Miniature wooden carvings, illustrating a winter camp scene. Carvings include a snow house painted white, with a removable top to see the equipment and layout inside; three seated people holding mugs; two standing males; a dog, rack, two sleds, and a wide variety of tools and utensils, including a tiny metal ulu. Currently most pieces are glued in place on top of a rectangular mirror; others are attached to, or tied on top of, other pieces.

Ink and pastel drawing on off-white rectangular paper, in horizontal orientation. Design consists of three hunters with their dogs, going whale hunting. Hunters are standing in a line, with ones on outer sides done in profile; central hunter is facing forward. Hunters on sides are wearing red coats, with their hoods up, and dark green pants and boots; both have pointed noses. The hunter on the left is holding a harpooned fish with one hand, and a knife in the other; additional harpoon to the right. Hunter on the right is holding a harpoon and a leash to a black dog. Central hunter has slitted eyes, wide nose with nostrils, and a smiling mouth; wearing black hooded parka, and matching pants and boots. They are holding a harpoon in one hand and the leash of a second black dog. Third dog, done in dark green, is off leash in the bottom right corner of the drawing. Pencil inscriptions, with artist name and year made, on back of drawing, along bottom edge.

Vertical, grey stone carving; abstract, linear style facial marks incised near upper right side, with round opening carved through the left side. ARLOOK carved on base. (Old repair visible on outer part of circle.)

Large stone multi-figure carving, with walrus tusk projections standing upright at each side (parts b-c). Tusks are incised with drawings and attach to stone with wooden dowels. One tusk (part b) is incised with four brown ink drawings on one side: fish, loon, person, walrus; the other side has three harpoons and syllabics in brown. The other tusk (part c) is incised on both sides with black ink drawings. One side has a seal, bird, 2 wolves, and walrus; the other side has drawings of three types of clothing (k'arlik, koliktar, amautik).

Linocut print on rectangular off-white paper, in portrait orientation; relief design with background done in black, design same colour as paper. Design consists of two sea spirits with humanoid upper halves and tails. Largest spirit in centre depicted in profile, facing forward; has large circular eyes, square nostrils, smiling mouth, and wrinkled face. Large ears are being held by two hands, and third arm is holding a fish. Second spirit, along left side of design, is shown in profile, facing other spirit, and holding it's tail with two hands. It has long hair, a small ear, and protruding lips. Wavy lines and fish throughout background. Title, print type, edition number, 15/50, place made, date made, and artist signature written along bottom edge of print in pencil. Canadian Eskimo Arts Council logo stamped in bottom left corner, underneath inscription; West Baffin Eskimo Co-operative stylized igloo logo in top left corner of design.

Stonecut print on rectangular off-white paper, in horizontal orientation; done in black ink. Design of a person in an igloo and a woman giving birth. The igloo has a circular protrusion on top, and a black base with syllabics across it. The woman is giving birth next to a bare tree, underneath an overhanging branch. Additional tree on the right side of the print, with another person hanging upside down from one of the upper branches. Edition number, 11/50, title, print maker, artist, and year made written in pencil along bottom edge; title, maker, and artist written in both syllabics and English. Canadian Eskimo Arts Council logo embossed in bottom right corner; additional logo, consisting of syllabics inside a rhombus, embossed in bottom left corner.

Carving of a snow house on a flat base (part a) with a removable roof (part b). House is dome-shaped and has a square-like tunnel built around semi-circular entrance. Squares incised around exterior of house, imitating blocks; interior is smooth. Male (part c) and female figures sit on a fur-covered sleeping platform, along back interior wall of house; stone lamp with drying rack suspended overtop along left wall. Large dog figure (part d) lies on floor, in front of woman. Multiple tools line exterior of house entrance, fitting into holes drilled into the base; consist of: snow shovel(?) (part e), snow knife (part f), spear (part g), line(?) (part h), and fish spear (part i). Figures and roof have pegs extending from their bases, which hold components in place. Artist signature carved along top of base, next to house.

Caribou antler carving of a spirit being with another spirit being exploding from its chest; figures are standing on an irregularly-shaped whale bone base. The larger spirit being has intricately carved facial features, consisting of thin eyes, a wide nose, and large frowning mouth; tuft of white hair protrudes from top of head. Body is thin and cylindrical, with long smooth tail curved to the right; tail extends past edges of base. Its legs are bent back at the knee, and they fit into two circular holes drilled towards front of base. Smaller spirit being is protruding from the top of larger being's chest, where neck meets body. Face is wide and also has intricately carved facial features, consisting of oval-shaped eyes, large nostrils, and thin open mouth. Tall rectangle-like protrusion extends from top of head, with lines incised along all sides. Smaller being has its head tilted downward.