Long sleeved, red tunic with overall repeating design. The design is in a Chinese style depicting trees, flowers, houses with slanted roofs, and people paddling in boats and walking near trees. The collar is a Chinese style collar. The tunic buttons half way down with three small, white buttons. There are cuffs at the end of both sleeves which are each held together by a single grey button. There is also a 23 cm slit on the bottom left and right sides. On the underside of one of the arms, the material is sewn so you are able to see the white edge of the material.

Long sleeved, light brown coat (part a), open at the front with belt (part b) for closure. There is red-brown embroidery on either side of the opening, the lapels, pockets, sleeves, and on the back and at the bottom of the jacket. Throughout the embroidered design there are blue, green and orange circles. The design of the embroidery is a repeating floral and hatch work pattern. The design found on the back side of the coat is the same pattern as that found in the centre, top of the jacket. The pattern on the sleeves and lower front lapels is reminiscent of Kashmiri style of “mango pip” paisley shapes. The belt is also light brown with red-brown embroidery in a repeating diamond pattern. In the centre of each diamond are alternating green, orange and blue circles. One end of the belt tapers to a point while the other end is squared off.

White, rectangular shawl with a embroidery and fringe at each end, also in white thread. The design is broken up into three sections which are separated by a looser stitch. The first two sections have the same design of flowers and diamonds and the third design, that which is closest to the centre of the shawl, is flowers and triangles. Worn with 2878/14.

Round, red, brimless cap embroidered with multicoloured geometric designs over the entire surface. The embroidery depicts several repeating flower designs known as “gumboori”. Around the top and bottom edges of the cap is a Central Asian double-scroll thunder pattern which is symbolic of fertility/fecundity. The inside of the cap is a grey-black. Around the bottom edge of the cap underneath the thunder pattern is band of light brown stitching. Worn with 2878/15.

Woman's necklace composed of 10 strands of red, round glass beads with a small repeating pattern of green and white round glass beads. All strands are knotted together at each end, and the ends are in turn knotted together to close the necklace.

A man’s brown winter coat, or robe, open at the front with long sleeves. The brown wool (“pusp”) is natural, undyed sheep’s wool. Around the collar and the shoulder sections there is an embroidered design in the same brown wool yarn. On the front of the coat, there are two decorative tassels on either side of the opening, near where the wearer’s upper chest would be. The tassel is sewn on to the coat at the centre point of an embroidered round design, also in the same brown wool yarn. The tassel is mainly brown but there are coloured threads wrapped around the brown thread with silver being the most predominant thread colour. At the end of the tassel, the strands are broken into four sections and there is a woven design at the end of each of the sections.

Silver coloured darning needle.

Long narrow woven sash-like garland. There are a number of traditional weaving designs including “shinguk chot” or goat horn design, “munguzyeek chot” or fly design, “birra kumba chot” or male goat’s crossed horns and “watch chot” or the hourglass drum. The main colour used in the weaving is a yellow-green. The fringe is separated out into 14 sections with 12 of those section made up of the gathering of several threads which are then wrapped with gold and silver thread. The two innermost sections are wrapped with green and red thread.

Long, narrow, woven sash or garland. The length of the garland is white, with multi-coloured and white fringe at each end, which is grouped in sections and wrapped with multi-coloured thread.

Hammered, silver, circular ornament made up of four concentric circles, each of which supports a repeating pattern of a triangular motif. Each triangle is made up of six dots or circles, widest at the base, with the single topmost dot attaching to the next concentric circle. The number of triangles in each circle increases with the increased size of each concentric circle.