Grey-brown pot with an oval-shaped body, topped with a human-like head; spout opening doubles as mouth of figure. Face has a pronounced brow, incised circular eyes, a wide nose with large nostrils, and semi-circular ears; mouth opening is flared. Two raised bands decorate head, extending from brow to back of neck, and connect with a notched band that circles the figure's neck. Four panels, consisting of four notched bands, stretch from neck towards bottom of body. Long arms. with thin fingers, extend from neck, down front centre of body; designs are raised. Large panel runs down centre of chest, consisting of three lines with two columns of raised circles. Raised nipples are on either side of front panel; genitals underneath panel. Two curved bands connect side panels on back and arms; bands are notched. The rest of vessel is undecorated.

Orange-brown pot with a spherical body and spout opening. Spout is curved, with the opening angled downward; mouth is flared. There is a semi-circular protrusion along the front centre edge of spout; ridged column extends along back side of spout. There is a raised band around the spout base and it is trimmed with a secondary raised band, decorated with notches. Eight identical bands extend down from it, forming a panel covering the back of the vessel; eight additional notched bands protrude from either side of panel, circling the sides. Two notched bands connect to bands on back, decorating the front. Above the two bands, is a raised prong-shaped motif. Rest of vessel is undecorated.

Red-brown pot with a spherical body and three spouts. Spouts are connected at their bases and extend from the top of the vessel at angles; openings are all flared. There is a raised band around the spout bases and around the vessel shoulder, with two handle-like protrusions on either side. Handles are oval-shaped with smooth tops and bottoms; outer edges of handles are decorated with incised diamonds. Circular motifs incised around bases of spouts; on front and right sides. Rest of vessel is undecorated.

Red-brown pot with a cylindrical body and wide circular opening; lip is flared. Bottom section of body bulges outward before tapering into a high foot. Bands of incised decorations all along cylindrical section of body; bands consist of plain and diagonal lines, and zigzags. Raised square grids and plain lines with vertical decorations throughout bands. Two raised circles along front centre of body, with two conical protrusions on either side; two small circular protrusions in between the raised circles. Conical protrusions have horizontal lines incised across their sides, circular protrusions are covered in dots, and circles are filled with raised squares. Dot motifs border all protrusions and the circles. Bottom section of body and base of pot are undecorated.

Crown completely covered in yellow beads, with long strands hanging from bottom edge (part a). Crown is conical in shape with a circular pedestal on top. Bird figure sits on top centre of it and is detachable (part b). Body of crown covered in two rows of protruding bird figures. All have large white eyes, tips of tails painted white. On front and back, along bottom edge, are faces with oval-shaped eyes, long noses, and open oval-shaped mouths. All facial features extend outward. Crown has a padded interior, covered with white painted paper mache.

Crown completely covered in white and black beads, with long strands hanging from bottom edge (part a). Crown is conical in shape with a circular pedestal on top. Bird figure sits on top centre of it and is detachable (part b). Body of crown decorated with wide black and white stripes, pedestal decorated with identical thinner stripes. Overtop stripes on main body, there are two rows of protruding bird figures. All birds are white, wings decorated with black stripes. On front and back of crown are black beaded faces, with oval-shaped eyes, long noses and circular open mouths. Features of faces are done in white and extend outward. Crown has a padded interior, covered with unbleached cotton.

Standing wood figure (ibeji), with headdress and damaged feet. Nude male stands straight with arms at sides, connected to waist. Flat stomach, with stylized lizard incised across it, under small rounded breasts. Has pronounced buttocks and defined back muscles. Band of concentric diamonds done in relief across upper chest. Wearing bracelet, decorated with diagonal lines, on left wrist. Lines carved along edges of hands, imitating fingers. Figure has a wide nose, smiling mouth, and intersecting lines carved on each cheek. Eyes have holes drilled into their centres. Ears carved in relief and rest flat against head. Horizontal lines across entire top of head, imitating hair. Tall thin headdress forms an arch, spanning from forehead to nape of neck. Decorated with vertical lines along entire length. Hole drilled into remaining base.

Standing wood figure (ibeji), with headdress, on square base. Nude female stands straight with arms at sides, connected to waist. Flat stomach, with grid of raised squares, below pointed breasts. Has pronounced belly button, buttocks, and genitalia. Lines carved along edges of hands and feet, imitating fingers and toes. Figure has a wide nose, smiling mouth, and intersecting lines carved on each cheek. Eyes have holes drilled into their centres. Ears carved in relief and rest flat against head. Horizontal lines across entire top of head, imitating hair. Tall thin headdress forms an arch, spanning from forehead to nape of neck. Decorated with vertical lines along entire length. Feet rest on circular pedestal, drilled into square base.

Standing wood shrine figure. Body is rectangular in shape and has geometric and linear motifs incised on the front and sides. Hide collar, coloured black, wrapped around neck. Figure has a wide nose, pronounced brow and lips, and angular eyes. Has a ponytail that protrudes sharply from the back of the head. The end of ponytail connects to the figure's back. Lines incised on portions of hair overtop of head, hanging portion of ponytail is thin and smooth. There is a small gap between the ponytail and the back of the figure’s neck. Extending from all sides of the hide collar are strands of cowrie shells. Long strings of black, red and white glass beads are tied around the ponytail with light brown thread. Two copper coins and one small brass(?) bell are attached to the bead strings, hanging down the back of the figure. Plain brown tie, with knotted ends, is strung between the ponytail and the neck of the figure.

Ifa divination tools (parts d-v), stored inside a round, two-tiered container (parts a-c). All components are made of metal. Bottom compartment of container (part a) has a flat base and protruding lip, with a raised edge. The top compartment (part b) sits on top of the lip. Along the top left and right edges of the bottom tier are notches that protrusions from the bottom edges of the top tier fit into, securing the two compartments together. The sides of both tiers are decorated with finely incised bands, consisting of cubes, and plain and diagonal lines. The lid (part c) has a long lip, that fits over the edge of the top compartment, and a circular knob in its centre. There are raised lines across the surface, dividing the lid into bands. There are finely incised decorations in the top and centre bands, consisting of dotted triangles, plain and diagonal lines, and scallops. The divination tools are small and different shapes. Most are rectangles, triangles and squares with raised geometric and curvilinear motifs across their surfaces (parts d-o). Other tools include a horn (part p), scorpion (part q), large bell (part r), small bell (part s), square knot (part t), flat semi-circle with notched edges (part u), and a semi-circle with ridged sides and pointed top (part v).