Kachina doll. Carved from wood, figure is a long, rounded rectangle with a slightly thicker head. Remnants of feather and cotton fibre sit on top of head, nose is tubular and protrudes out from face, and eyes are black lines above a multicoloured chevron at centre. Front of figure is coloured light green, white, and yellow with black outlining, hands shown placed on chest. Pink lines emerge from bottom on both front and back. Back has a base of white, with green and yellow at shoulders and rust at back of head. Doll is glued to a wood base

Small wooden figure, male. Figure is carved from unfinished wood, with a large head, and narrow shoulders and torso the same width as hips and legs. Toes are pointed slightly inward. Arms are lightly carved in a crossed position across the figure’s chest, above a drawn design encircling the waist made up of diamond shapes and crosses. Suggestion of a robe or scarf is drawn across the shoulders at back. Head is covered in dark ink to represent hair, and large staring eyes are drawn on face. Mouth is lightly incised. Figure’s feet are planted into a base of soft putty.

Small Kachina doll. Carved from wood, doll has large rounded head with feathers attached at top and back, face painted with black lines for eyes above decorated cheeks and a red tubular snout. A thin cotton cord is tied around neck, hanging down the back of the doll. Shoulders are narrow, with arms kept close to sides, fists held in front of stomach. Torso is painted orange with green and yellow decoration, and a necklace at centre. Skirt is full and round, with red and black patterning down the right side. Legs emerge from beneath, painted red and grey.

Small beaded figure of a horse and rider. Horse stands on four thin legs, with a thick neck and large head. Body is fully covered in blue beads with white hooves, tail and mane, and white patches on neck and stomach. Bridle is orange, and reins and ears are made of leather. Rider sits astride on a beaded blanket, with orange and blue pants, a blue top, white face and hands and a large headdress in green and yellow with black points at top.

Carved wooden figure with halo. A male figure stands with arms crossed in front of his chest as if cold, left knee bent before him. The face is finely carved, with eyes downcast, a thin protruding nose, small mouth in a pointed jaw, and an incised beard. Ears protrude. Hair is in a tonsured style, with a tuft on forehead. He wears a long belted robe with a wide collar that drapes down the back. A tin ring has been nailed to the back of the carving to represent a halo.

Carved wooden figure, likely of St. Francis of Assisi. A male figure stands with hands clasped before him, holding a small bird. Birds also sit on his shoulders and on the top of his head. Nose and ears protrude while eyes, mouth, and beard are incised. He wears a long belted robe decorated with incised diamond shaped motifs. A carved hood falls over his shoulders at back, below an incised hair line. Large bare feet emerge from beneath his robe. Birds and feet are attached to the figure by wooden pegs.

Large, heavy jar. Wide open mouth narrows at neck, then flares in middle before tapering to small flat circular base. Black patterns painted over yellow background, forming rounded squares and triangles. Darts with leaf shaped ovals run around the neck of pot. Base and inside of pot are red clay. Unglazed.

Large low-fired, non-glazed bowl, possibly a bread bowl or serving dish. Mouth is wide, with sides gently curving in toward the small, slightly rounded base. The upper half of the bowl is painted with a repeating feather motif in orange and brown on a white background. The lower half and interior of the bowl are dark orange, stone polished to a shine.

Low-fired, unglazed clay olla. Mouth is wide, with a short neck and widely flaring shoulder. Body inclines toward a small, circular base with a slight punt. Painted decorations in black and orange cover the white underpaint, and the set repeats three times. Included are geometric patterns, solid lines of colour, fine stripes and dots. The bottom quarter of the pot is painted orange with no embellishment, as is the base. The interior is unpainted but for several inches of orange inside the lip.

Small ceramic owl with orange-white body and dark orange painted feather pattern on body and line pattern on wings and tail. The protruding beak extends to attach below the mouth, forming a loop. The beak and ears are entirely dark orange. There are metallic flecks visible in the dark orange paint. The wings and tail all protrude from the body. Inscription on base: -Zuni- S.K.L. "09."