Carved wooden, crooked beak mask. The beak has red and white circular shaped nostrils with many incised white c-shaped forms behind it. Running from the brow is a large, protruding, central black circular shaped frill that projects upwards and curves downwards to the top of the beak; detailed with a white outline. Running down the middle of the beak is a small, rectangular shape piece of wood, painted black and white to match the frill. The mouth is red, flat, wide and protruding. The underside of the beak is black with small eagle’s head carved in relief; beak hinged with a rectangular piece of metal. The eyes are black ovoids, outlined in white and red on a grey ovoid shaped ground; the brow is black. The inside of the mask is hollow. Attached to the top and sides are small bundles of cedar. The mask is painted black, red, grey, white and green with Northwest Coast stylized forms.

Green, white, red and black humanoid mask with deep set eye sockets with protruding eyes, a pointed chin, prominent eyebrows and cheekbones. Copper pieces are nailed to both cheeks. Remnants of cloth are nailed along the top and side edges.

Carved wooden, crooked beak headdress, or mask. The beak has red ovoid shaped nostrils with a central frill that curves inward to the centre of the beak. The mouth is red, flat and protruding; bottom part of jaw is nailed shut. The face is black with white outline and detailing. The eyes are white outlined in black and red on a white, ovoid shaped ground; brow is black. The inside of the mask is hollow; twisted twine is tied to either side of the bottom, back edge of the mask. Attached to the top and side edges are short, bundles cedar stripes; longer pieces of cedar hang down the back. The mask is painted black, white and red with Northwest Coast stylized forms.

Ornament made of an oblong shaped piece of abalone shell. The face of the ornament is iridescent, and the reverse side is light brown and orange-pink.

Ornament made from an oval piece of abalone shell with a notch in the edge and two holes bored at opposite sides.

Mask (c) with a hooked nose, curved incised lines on the cheeks and chin, and two rounded ear-like protrusions at the sides of the mask. The mask is painted grey with heavy black eyebrows and black on the raised areas of the cheeks and chin. The nostrils and lips are red, and the ears are painted with concentric curved lines in black, grey and red. Horse hair and cedar bark attached at top of crown. Two separate mouthpieces: a) red lips open to expose two rows of off-white teeth; b) thick red lips, slightly open.

Carved transformation mask. The exterior figure is a large thunderbird head with a yellow beak, black outlined eyes surrounded by a green ovoid-like shaped, as well as a red mouth and detailing. Nailed to the top of the bird are numerous cedar bundles. The mask opens in four directions – to the sides, up and down – exposing a painted human face with cutout nostrils, eyes and mouth. The side boards have a painted sisiutl with each side depicting a serpent head. The top has the human’s horns while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by staples. The mask is painted yellow, green, red, white and black with Northwest Coast stylized designs. Long, rectangular shaped handle extends from top back of mask.

Brown double reed whistle that is square in cross section and comes to a tapering end and is bound in brown twine around the tapering end. While the wider end is solid, there are two hollows through the smaller end where there is a bordered taper cut semi-oval hole nearby on one side and a bordered taper cut square hole on the opposite side. Pine pitch along the sides.

Carved wooden dish shaped like a canoe.

Slightly curved pointed blade, triangular in cross-section. Slightly projecting handle guards. Long handle with a jagged end.