Sarong with sides sewn together, forming a rectangular tube skirt. Decorated with seventeen horizontal bands; assortment of coloured stripes, dashes and curvilinear motifs in between each band. Centre band is maroon with yellow stitches in middle. From each side of centre band the patterns are identical. From centre outward bands are: maroon with light brown cross-like shapes; dark blue with light blue cross-like shapes; maroon with light brown cross-like shapes; maroon with light brown curvilinear motifs along edges and dotted lines through centre; dark blue with light blue geometric, floral and curvilinear motifs; maroon with light brown curvilinear motifs along edges and dotted lines through centre; dark blue with light blue alternating geometric and curvilinear motif; and dark blue with light blue zigzag and curvilinear motifs. Triangle designs decorate right side of bands.

Dark red scarf (selendang) with fringe on ends. Top and bottom edges of scarf have a dark maroon border, with light orange dashes throughout. Repeating pattern of pointed ovals, filled with floral and linear motifs, through centre of scarf. Ovals are connected by dots. Negative space, between ovals and border, filled with identical floral and linear designs. Border on both ends, consisting of three vertical bands. Outer and inner bands have a dot motif; centre band has a repeating triangle motif. All designs are done in red-brown and dark orange. Fringe on ends are tied into bundles with plant fibre; six bundles on left edge, five on right.

Large textile composed of two matching pieces stitched together down the length, creating a large, rectangular textile with bilaterally symmetrical imagery. Wide middle panel of solid dark indigo flanked by side panels decorated with numerous narrow stripes, and central bands with intricate motifs in white on indigo. Both ends fringed.

Woven rectangular textile composed of three pieces of fabric sewn together. Large ikat centre piece is woven in dark purple-red, light brown, green, and blue. The centre piece is flanked by two pieces of fabric with a red background decorated with intricately patterned gold thread designs.

Large textile composed of three pieces of fabric, stitched together down the width, creating a large, rectangular textile with bilaterally symmetrical imagery. Wide middle panel has dark brown-black background with geometric and zoomorphic designs, flanked by side panels decorated with stripes, and central bands with intricate motifs in light brown on dark brown-black. There is a strip of fabric sewn across the back of the top of the textile with pin holes in it. Both sides fringed.

Hinggi or large blanket composed of two matching pieces of brown woven material stitched together down the length, creating a large, rectangular textile with bilaterally symmetrical imagery. Multicoloured patterns and imagery incorporating human and zoomorphic figures. Both ends have brown fringe.

Ceremonial hanging or funeral shroud composed of two matching pieces of ikat fabric stitched together down the length to form a large square. Uniform geometric patterns in grey-blue, light brown and dark purple-red on a red-orange background. Both sides are bordered by vertical stripes of olive green, grey-blue, red-orange and light yellow. There is a strip of fabric sewn across the back of the top of the textile with pin holes in it. The bottom edge has fringe.

Wooden painted mask of the minister character. Humanoid face with wide eyes and nose and cropped hair. Mask has hair carved along the top edge, painted black. Teardrop-shaped ornament in centre of forehead, in between the eyes. Ornament is painted gold and has raised circular motifs across it. Pieces of skin with black hairs nailed above eyes, as eyebrows, and above smiling dark red mouth, as a moustache. White shells(?) are inlaid in the mouth, as teeth. Face is painted a light orange-brown. Eyes are grey and black, rimmed in black, grey and dark red. Mask has holes for eyes and nose. Holes drilled into either side of mask with rubber band attached for hanging. Ink inscription inside of mask.

Wooden humanoid mask. Head is thin, tapering inwards towards the chin, with sunken eyes, a wide nose and gaping mouth. Face is painted black, eyes are white with large black pupils, and mouth is dark red. Four white, square teeth in mouth. Holes in mask for eyes and mouth. Holes drilled into either side of mask, with fibre strand knotted through for hanging. Inscription carved inside mask.

Wooden painted mask of the character Rahwana. Humanoid face with bulging eyes, a protruding nose and two fang-like teeth. Red and black scalloped headdress on top of mask. Central scallop is light blue and has three triangular protrusions in front of it, painted gold. Abstract designs along the bottom of the dark red scallops, done in blue, red, green and yellow. Stylized linear motifs across all of headdress, some resembling flames, done in white and black. Curved triangles along top of headdress, in front of the scallops, painted gold. Red, blue and green circles painted across curved triangles. Gold horn-like shapes on either side of headdress. Long, oval-shaped protrusions on sides of face. They are painted black and have white curves and lines painted on them, imitating facial hair. Similar designs around the mask’s brows, mouth and chin. Mouth is open and has large white teeth along the top edge, with a fang-like tooth on either side. Mouth painted dark red, gums and tongue are pink. Face is painted dark teal, and eyes are orange and yellow, rimmed in red. Mask has holes for eyes, nose and mouth. String ties nailed onto back of mask. Ink inscription inside of mask.